Excursions in Art and LettersStory, William Wetmore
History
Excursions in Art and Letters
Story, William Wetmore
Arts
Of the statues attributed to Phidias we may then strike out eleven as
resting, on the face of the facts, upon no sufficient authority. We
still shall have the large number of twenty-six important statues, many
of them colossal, which are far more than sufficient to have occupied
his life, even when reckoned at its longest probable term. To this
number it would be impossible to add the marble statues contained in
the Parthenon.
Michel Angelo lived to a great age. He was throughout his life a
very hard worker, devoting all his time to art. It is true that
he was devoted to architecture and fresco-painting, as well as to
sculpture, and that to these arts he gave much time; but still he was
by profession specially a sculptor, and a large portion of his life
was given to sculpture. He was, besides, impetuous and even violent
in his marble work; and not content with the labor of the day, gave
to it a portion of his nights, working with a candle fixed in his
cap—unless, indeed, this also be a legend, into which it is better
not to inquire too anxiously. Still, in the course of his long life
he executed very few statues: of the really accredited statues of any
size, the number, I think, does not exceed fifteen—and some of these
are merely roughed out and left unfinished. The explanation of this is
undoubtedly that casting in plaster having been then just invented, and
being very imperfect in its development, he was accustomed at once to
rough out his large statues from small sketches in terra cotta, after
the probable practice of the ancients. This obliged him personally
to do with his own hand much of the hard work which now, with the
increased facilities of the art and the perfecting of plaster-casting,
can safely be left to an ordinary workman; at all events, there are
no full-sized models existing of his great works. If, then, Michel
Angelo, with twenty years more of life, and with all his energy, could
produce only some fifteen statues of heroic size,—and these, many of
them, unfinished,—it will not seem necessary to suppose that Phidias
must have executed double that number, particularly when we remember
the colossal size of many of them (from forty to sixty feet in height),
the extreme elaboration and fineness of the workmanship, and the
difficulties growing out of the materials in which they were executed.
Public-domain text, read in full here on John Shaqi.
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