Expositor's Bible: The Gospel of MatthewGibson, John Monro
Religion
Expositor's Bible: The Gospel of Matthew
Gibson, John Monro
Bible. Matthew -- Criticism, interpretation, etc.
This one chapter contains all that St. Matthew records of the Infancy.
St. Mark and St. John tell us nothing, and St. Luke very little. This
singular reticence has often been remarked upon, and it certainly is
most noteworthy, and a manifest sign of genuineness and truthfulness:
a token that what these men wrote was in the deepest sense not their
own. For if they had been left to themselves in the performance of the
task assigned them, they could not have restrained themselves as they
have done. The Jews of the time attached the greatest importance to
child-life, as is evident from the single fact that they had no less
than eight different words to mark the successive stages of
development from the new-born babe up to the young man; and to omit
all reference to these stages, except the slight notice of the Infancy
in this chapter, was certainly not "according to Matthew" the
Jew,--not what would have been expected of him had he been left to
himself. It can only be explained by the fact that he spoke or was
silent according as he was moved or restrained by the Holy Ghost. This
view is strikingly confirmed by comparison with the spurious Gospels
afterwards published, by men who thought they could improve on the
original records with their childish stories as to what the boy Jesus
said and did. These awkward fictions reflect the spirit of the age;
the simple records of the four Evangelists mirror for us the Spirit of
Truth. To the vulgar mind, they may seem bare and defective, but all
men of culture and mature judgment recognise in their simplicity and
naturalness a note of manifest superiority.
Much space might be occupied in setting forth the advantages of this
reticence, but a single illustration may suggest the main thought.
Recall for a moment the well-known picture entitled, "The Shadow of
the Cross," designed and executed by a master, one who might surely be
considered qualified to illustrate in detail the life at Nazareth. We
have nothing to say as to the merit of the picture as a work of art;
let those specially qualified to judge speak of this; but is it not
generally felt that the realism of the carpenter's shop is most
painful? The eye is instinctively averted from the too obtrusive
details; while the mind gladly returns from the startling vividness of
the picture to the vague impressions made on us by the mere hints in
the sacred Scriptures. Was it not well that our blessed Saviour should
grow in retirement and seclusion; and if so, why should that seclusion
be invaded? If His family life was withdrawn from the eyes of the men
of that time, there remains the same reason why it should be withdrawn
from the eyes of the men of all time; and the more we think of it, the
more we realize that it is better in every way that the veil should
have been dropped just where it has been, and that all should remain
just as it was, when with unconscious skill the sacred artists
finished their perfect sketches of the child Jesus.
Public-domain text, read in full here on John Shaqi.
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