Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
Fabius himself, the owner of all this treasure and of large estates, was
a true specimen of an easy-going Roman, who was determined thoroughly to
enjoy this life. In fact, he never dreamt of any other. Believing in
nothing, yet worshipping, as a matter of course, on all proper
occasions, whatever deity happened to have its turn, he passed for a man
as good as his neighbors; and no one had a right to exact more. The
greater part of his day was passed at one or other of the great baths,
which, besides the purposes implied in their name, comprised in their
many adjuncts the equivalents of clubs, reading-rooms, gambling-houses,
tennis-courts, and gymnasiums. There he took his bath, gossiped, read,
and whiled away his hours; or sauntered for a time into the Forum to
hear some orator speaking, or some advocate pleading, or into one of the
many public gardens, whither the fashionable world of Rome repaired. He
returned home to an elegant supper, not later than our dinner; where he
had daily guests, either previously invited, or picked up during the
day, among the many parasites on the look-out for good fare.
At home he was a kind and indulgent master. His house was well kept for
him by an abundance of slaves; and, as trouble was what most he dreaded,
so long as every thing was comfortable, handsome, and well-served about
him, he let things go on quietly, under the direction of his freedmen.
It is not, however, so much to him that we wish to introduce our reader,
as to another inmate of his house, the sharer of its splendid luxury,
and the sole heiress of his wealth. This is his daughter, who, according
to Roman usage, bears the father’s name, softened, however, into the
diminutive Fabiola.[14] As we have done before, we will conduct the
reader at once into her apartment. A marble staircase leads to it from
the second court, over the sides of which extends a suite of rooms,
opening upon a terrace, refreshed and adorned by a graceful fountain,
and covered with a profusion of the rarest exotic plants. In these
chambers is concentrated whatever is most exquisite and curious, in
native and foreign art. A refined taste directing ample means, and
peculiar opportunities, has evidently presided over the collection and
arrangement of all around. At this moment, the hour of the evening
repast is approaching; and we discover the mistress of this dainty
abode engaged in preparing herself, to appear with becoming splendor.
[Illustration: Pompeian Couch.]
[Illustration: Table, after a painting in Herculaneum.]
Public-domain text, read in full here on John Shaqi.
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