Fabiola; Or, The Church of the Catacombs — John Shaqi
Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
“What!” exclaimed, with strong excitement, the haughty lady, “without
waiting even for that future ideal existence after death; already, even
now, you presume to claim equality with me? Nay, who knows, perhaps
superiority over me. Come, tell me at once, and without daring to
equivocate or disguise, if you do so or not?” And she sat up in an
attitude of eager expectation. At every word of the calm reply her
agitation increased; and violent passions seemed to contend within her,
as Syra said:
“Most noble mistress, far superior are you to me in place, and power,
and learning, and genius, and in all that enriches and embellishes life;
and in every grace of form and lineament, and in every charm of act and
speech, high are you raised above all rivalry, and far removed from
envious thought, from one so lowly and so insignificant as I. But if I
must answer simple truth to your authoritative question”--she paused, as
faltering; but an imperious gesture from her mistress bade her
continue--“then I put it to your own judgment, whether a poor slave, who
holds an unquenchable consciousness of possessing within her a spiritual
and living intelligence, whose measure of existence is immortality,
whose only true place of dwelling is above the skies, whose only
rightful prototype is the Deity, can hold herself inferior in moral
dignity, or lower in greatness of thought, than one who, however gifted,
owns that she claims no higher destiny, recognizes in herself no
sublimer end, than what awaits the pretty irrational songsters that
beat, without hope of liberty, against the gilded bars of that
cage.”[20]
Fabiola’s eyes flashed with fury; she felt herself, for the first time
in her life, rebuked, humbled by a slave. She grasped the style in her
right hand, and made an almost blind thrust at the unflinching handmaid.
Syra instinctively put forward her arm to save her person, and received
the point, which, aimed upwards from the couch, inflicted a deeper gash
than she had ever before suffered. The tears started into her eyes
through the smart of the wound, from which the blood gushed in a stream.
Fabiola was in a moment ashamed of her cruel, though unintentional, act,
and felt still more humbled before her servants.
“Go, go,” she said to Syra, who was stanching the blood with her
handkerchief, “go to Euphrosyne, and have the wound dressed. I did not
mean to hurt you so grievously. But stay a moment, I must make you some
compensation.” Then, after turning over her trinkets on the table, she
continued, “Take this ring; and you need not return here again this
evening.”
Fabiola’s conscience was quite satisfied; she had made
[Illustration: “He who watched with beaming eye, the alms-coffers of
Jerusalem, and noted the widow’s mite, alone saw dropped into the chest,
by the bandaged arm of a foreign female slave, a valuable emerald
ring.”]
[Illustration: A Lamp, found in the Catacombs.]
Public-domain text, read in full here on John Shaqi.
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