Fabiola; Or, The Church of the CatacombsWiseman, Nicholas Patrick
HistoryHistory
Fabiola; Or, The Church of the Catacombs
Wiseman, Nicholas Patrick
Christian fiction; Church history -- Primitive and early church, ca. 30-600 -- Fiction; Historical fiction
Quite a contrast to him was the last guest, already alluded to by
Fabiola, the new star of society, Fulvius. Young, and almost effeminate
in look, dressed with most elaborate elegance, with brilliant rings on
every finger and jewels in his dress, affected in his speech, which had
a slightly foreign accent, overstrained in his courtesy of manners, but
apparently good-natured and obliging, he had in a short time quietly
pushed his way into the highest society of Rome. This was, indeed, owing
partly to his having been seen at the imperial court, and partly to the
fascination of his manner. He had arrived in Rome accompanied by a
single elderly attendant, evidently deeply attached to him; whether
slave, freedman, or friend, nobody well knew. They spoke together always
in a strange tongue, and the swarthy features, keen fiery eye, and
unamiable expression of the domestic, inspired a certain degree of fear
in his dependants; for Fulvius had taken an apartment in what was called
an _insula_, or house let out in parts, had furnished it luxuriously,
and had peopled it with a sufficient bachelor’s establishment of slaves.
Profusion rather than abundance distinguished all his domestic
arrangements; and, in the corrupted and degraded circle of pagan Rome,
the obscurity of his history, and the suddenness of his apparition, were
soon forgotten in the evidence of his riches, and the charm of his loose
conversation. A shrewd observer of character, however, would soon notice
a wandering restlessness of eye, and an eagerness of listening attention
for all sights and sounds around him, which betrayed an insatiable
curiosity; and in moments of forgetfulness, a dark scowl under his knit
brows, from his flashing eyes, and a curling of the upper lip, which
inspired a feeling of mistrust, and gave an idea that his exterior
softness only clothed a character of feline malignity.
[Illustration: Banquet Table, from a Pompeian painting.]
The guests were soon at table; and as ladies sat, while men reclined on
couches during the repast, Fabiola and Agnes were together on one side,
the two younger guests last described were opposite, and the master,
with his two elder friends, in the middle--if these terms can be used to
describe their position about three parts of a round table; one side
being left unencumbered by the _sigma_,[26] or semi-circular couch, for
the convenience of serving. And we may observe, in passing, that a
table-cloth, a luxury unknown in the times of Horace, was now in
ordinary use.
When the first claims of hunger, or the palate, had been satisfied,
conversation grew more general.
“What news to-day at the baths?” asked Calpurnius; “I have no leisure
myself to look after such trifles.”
“Very interesting news indeed,” answered Proculus. “It seems quite
certain that orders have been received from the divine Dioclesian, to
finish his Thermæ in three years.”
Public-domain text, read in full here on John Shaqi.
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