Famous Affinities of History: The Romance of Devotion. Vol 1-4, CompleteOrr, Lyndon
History
Famous Affinities of History: The Romance of Devotion. Vol 1-4, Complete
Orr, Lyndon
Biography; Love; Women -- Biography
And so Mary, at sixteen, wedded the Dauphin Francis, who was a year her
junior. The prince was a wretched, whimpering little creature, with a
cankered body and a blighted soul. Marriage with such a husband seemed
absurd. It never was a marriage in reality. The sickly child would cry
all night, for he suffered from abscesses in his ears, and his manhood
had been prematurely taken from him. Nevertheless, within a twelvemonth
the French king died and Mary Stuart was Queen of France as well as of
Scotland, hampered only by her nominal obedience to the sick boy whom
she openly despised. At seventeen she showed herself a master spirit.
She held her own against the ambitious Catherine de' Medici, whom she
contemptuously nicknamed "the apothecary's daughter." For the brief
period of a year she was actually the ruler of France; but then her
husband died and she was left a widow, restless, ambitious, and yet no
longer having any of the power she loved.
Mary Stuart at this time had become a woman whose fascination was
exerted over all who knew her. She was very tall and very slim, with
chestnut hair, "like a flower of the heat, both lax and delicate." Her
skin was fair and pale, so clear and so transparent as to make the story
plausible that when she drank from a flask of wine, the red liquid could
be seen passing down her slender throat.
Yet with all this she was not fine in texture, but hardy as a man. She
could endure immense fatigue without yielding to it. Her supple form had
the strength of steel. There was a gleam in her hazel eyes that showed
her to be brimful of an almost fierce vitality. Young as she was,
she was the mistress of a thousand arts, and she exhaled a sort of
atmosphere that turned the heads of men. The Stuart blood made her
impatient of control, careless of state, and easy-mannered. The French
and the Tudor strain gave her vivacity. She could be submissive in
appearance while still persisting in her aims. She could be languorous
and seductive while cold within. Again, she could assume the haughtiness
which belonged to one who was twice a queen.
Two motives swayed her, and they fought together for supremacy. One was
the love of power, and the other was the love of love. The first was
natural to a girl who was a sovereign in her own right. The second was
inherited, and was then forced into a rank luxuriance by the sort
of life that she had seen about her. At eighteen she was a strangely
amorous creature, given to fondling and kissing every one about her,
with slight discrimination. From her sense of touch she received
emotions that were almost necessary to her existence. With her slender,
graceful hands she was always stroking the face of some favorite--it
might be only the face of a child, or it might be the face of some
courtier or poet, or one of the four Marys whose names are linked with
hers--Mary Livingstone, Mary Fleming, Mary Beaton, and Mary Seton, the
last of whom remained with her royal mistress until her death.
Public-domain text, read in full here on John Shaqi.
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