The management of La Scala at once made Bellini an offer for his next
work, among the tempting conditions being the payment of three thousand
ducats, and for his interpreters, Pasta, Grisi, Donzelli, and Negrini.
The libretto was just after Bellini's own heart, the writing was rapidly
accomplished, and on Dec. 26, 1831, only some nine months after the
production of "La Sonnambula," "Norma" was sung for the first time on
the stage of La Scala. Strangely as it seems now, the opera was almost
a failure. The theme was larger and nobler than any which Bellini had
treated, and he had risen to its height, leaving behind his light,
familiar style, and assuming a breadth and strength of diction in
which his admirers did not recognize him. Bellini was astonished and
disappointed, but after a few performances a great and deep enthusiasm
succeeded the indifference and half-hostility of the early nights.
[Illustration: MONUMENT TO BELLINI IN CATANIA.]
A brief leisure now intervened, which was employed in visits to Naples,
and to Catania, where still were the family whom he had not seen for
several years. He received ovations everywhere; his operas were sung,
in part or entire, in the principal theatres along his route, he was
made a member of the Bourbon Academy in Naples, and at Catania the royal
intendant conducted him in a state carriage, drawn by four horses, to his
home. At Naples also Barbaja was waiting for him with offers for three
new works to be written for San Carlo; but Bellini could not gratify him.
[Illustration: BUST OF BELLINI BY DANTAN.
From the Carnavalet Museum, Paris.]
His stay in Sicily was short. In about a month he returned, and after
pausing in several cities to direct productions of his works, he came
again to Venice, in August, 1832, preparing an opera for the Fenice.
Various trivial causes had raised up jealousies against him, and his
libretto was unsatisfactory, because Romani had neglected work for
pleasure. So when the new opera, which was "Beatrice di Tenda," was
produced, on March 16, 1833, it fell flat and never afterward recovered
any prominence, although it contained some excellent scenes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account