the woman’s resolution began to give way, and for a time some sort of
working arrangement came about. Kelley’s story, as elaborated to his
partner, was that at Tribau, in 1587, the crystal showed him a vision
of a naked woman who conveyed to him the divine message. To Dee’s
unhinged mind this seemed all natural and correct--probably even to
the suitable costume adopted by the angelic messenger: so the worthy
doctor gave way. After a time however the matron recovered her sanity,
and the vulture and the pigeon parted. Dee gave up to his late partner
all the “tools of trade” and “properties” of the fraud, and the two
never met again.
Kelley went to Prague where he was thrown into prison in 1589. He
remained in durance for four years after which he was released. From
thence on till 1595, he became a vagabond as well as a rogue, and
wandered about Germany. He again fell into the hands of Rudolph, to be
again imprisoned by him. He was killed whilst making a desperate effort
to escape.
There seems to be no record of Edward Kelley--or Talbot--having been
knighted, no authority save his own wish for the use of the title. It
may of course be possible that he was knighted by the Emperor in some
moment of absurd credulity; but there is no record of it. He had no
children.
E. MOTHER DAMNABLE
Owing to a want of accord among historians, the searcher after historic
truth in our own day can hardly be quite sure of the identity of the
worthy lady who passed under the above enchanting title. To later
generations the district of Camden Town--formerly a suburb of London
but now a fairly central part of it--is best known through a public
house, the _Mother Red-Cap_. But before controversy can cease we are
called on to decide if Mother Red-Cap and Mother Damnable were one
and the same person. A hundred years ago a writer who had made such
subjects his own, came to the conclusion that the soubriquet Mother
Damnable was synonymous with Mother Black-Cap whom he spoke of as of
local fame. But in the century that has elapsed historical research has
been more scientifically organised and the field from which conclusions
can be drawn has been enlarged as well as explored. The fact is that
a century ago the northern suburb had two well-known public houses,
_Mother Red-Cap_ and _Mother Black-Cap_. It is possible that both the
worthy vintners who offered “entertainment for man and beast” meant one
and the same person, though who that person was remains to be seen.
The distinctive colour line of the two hostelries was also possibly
due to considerations of business rather than of art. _Red-cap_ and
_Black-cap_ are, as names, drawn from these varying sign-boards; the
term _Mother_ held in common is simply a title given without any
pretence of doing honour to the alleged practices of the person whom it
is intended to designate.
Public-domain text, read in full here on John Shaqi.
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