In the night he generally sallied out from his palace, to visit the meanest taverns and the scenes of debauchery in which Rome abounded. In his nocturnal riots he was fond of insulting the people in the streets, and on one occasion, an attempt to offer violence to the wife of a Roman senator nearly cost him his life. He also turned actor, and publicly appeared on the Roman stage, in the meanest characters. He had an absurd passion to excel in music, and to conquer the disadvantages of a hoarse, rough voice, he moderated his meals, and often passed the day without eating. The celebrity of the Olympic games having attracted his notice, he passed into Greece, and presented himself as a candidate for the public honors. He was defeated in wrestling, but the flattery of the spectators adjudged him the victory, and Nero returned to Rome with all the pomp and splendor of an eastern conqueror, drawn in the chariot of Augustus, and attended by a band of musicians, actors, and stage dancers from every part of the empire. These private and public amusements of the emperor were comparatively innocent; his character was injured, but not the lives of the people. His conduct, however, soon became more censurable; he was guilty of various acts which cannot be even named with decency. The cruelty of his nature was displayed in the sacrifice of his wives Octavia and Poppæa; and the celebrated writers, Seneca, Lucan, Petronius, &c., became the victims of his wantonness. The Christians did not escape his barbarity. He had heard of the burning of Troy, and as he wished to renew that dismal scene, he caused Rome to be set on fire in different places. The conflagration became soon universal, and during nine successive days the fire was unextinguished. All was desolation; nothing was heard but the lamentations of mothers whose children had perished in the flames, the groans of the dying, and the continual fall of palaces and buildings. Nero was the only one who enjoyed the general consternation. He placed himself on a high tower and he sang on his lyre the destruction of Troy; a dreadful scene which his barbarity had realized before his eyes. He attempted to avert the public odium from his head, by a feigned commiseration of the sufferings of his subjects, and by charging the fire upon the Christians. He caused great numbers of them to be seized and put to death. Some were covered with the skins of wild beasts, and killed by dogs set upon them; others were crucified; others were smeared with pitch and burned, at night, in the imperial gardens, for the amusement of the people!