Sunlight glorified the mosaic panes up here; and alternately, where
no window pierced the stone wall, a chill darkness lurked. Thrusting
up its ornate spires and pipes in perpendicular Gothic style was the
organ case beneath the oculus window. Dry dust assailed his nose as
he crawled behind the organ to examine its geometric world of square
and round pipes. Coming out, after a time, he paused to look over the
balustrade into the hollowed out nave below, and was seized with awe;
the Gothic craftsman had been clever, for their arboreal and animal
carvings on pew boards, corbel-tables, and moldings seemed living
things frozen in acts of motion, waiting for some mysterious summons
before they convulsed with life again.
Penhryn felt an oppressive sense of heat; and looking up, saw last,
lingering sunlight burning through a window. And the sainted figure
that looked down at him seemed to be twisting agonizingly, as though
its abode there was some fiery hell. The window frames were wrought
in sections resembling flame tongues--a feature similar to the French
Flamboyant Gothic style--which furthered the illusion that the window
opened into a fiery domain. And he speculated if flame tracery was
not also deliberately fashioned, along with the grotesqueness of the
Gothic carvings. Another thought, of imitative magic--at least the wish
it expressed--came to mind as he looked at the fiery window, and he
grew more uneasy. Quite suddenly he realized there was _some sort_ of
blistering warmth emanating from the window--too much for comfort--and
he retired into the gloom.
Raising his eyes upwards to the clerestory regions, he noted the
irregular alignment of the longitudinal axis, proof that a later repair
had been incorrectly engineered. While he studied this mistake, the
shifting sunlight retreated roofwards as darkness filled the depths
below, and he became aware of the long time he had browsed up here,
hoping it was not so long that the verger may have forgotten his
presence and locked him in. The thought terrified him--the spending of
a cold night here--but why he could not say, or else did not want to
dredge up the reason.
Hastening downwards he found his worst fears were true. The entrance
door had been locked. A kind of reasonless panic threatened to engulf
him--his theories about Gothic art were the blame--but by mimicking
the verger's pedantic cynicism, he kept a surface calm. Possibly he
could find a broken pane somewheres where he could shout out until
someone came. Penhryn had barely made up his mind when it happened.
Hitherto all was a canvas of dead silence but now a sound was brushed
across it. From the transept of the Reliquary it had come; and as he
turned in that direction he sensed, then saw, a stirring in the almost
impenetrable dark. Fear had called up that presence.
Public-domain text, read in full here on John Shaqi.
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