Fancies Versus FadsChesterton, G. K. (Gilbert Keith)
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Fancies Versus Fads
Chesterton, G. K. (Gilbert Keith)
English essays -- 20th century
reform has passed through our own cities, careful of the survival of the
fittest, and we have been able to preserve the antic while abolishing
the altar.
But though this form of reaction into ridicule, and even self-ridicule,
is very natural, it is also very national; it is not the only human
reaction against injustice, nor perhaps the most obvious. The Irishman
has shot his landlord, the Italian has joined a revolutionary secret
society, the Russian has either thrown a bomb or gone on a pilgrimage,
long before the Englishman has come finally to the conclusion that
existence is a joke. Even as he does so he is too fully conscious that
it would be too bad as a tragedy if it were not so good as a farce. It
is further to be noticed, for the fact is of ominous importance, that
this topsy-turvy English humour has, during the last six or seven
generations, been more and more abandoned to the poorer orders. Sir John
Falstaff is a knight; Tony Weller is a coachman; his son Sam is a
servant to the middle classes, and the recent developments of social
discipline seem calculated to force Sam Weller into the status of the
Artful Dodger. It is certain that a youth of that class who should do
to-day a tenth of the things that Sam Weller did would in one way or
another spend most of his life in jail. To-day, indeed, it is the main
object of social reform that he should spend the whole of his life in
jail; but in a jail that can be used as a factory. That is the real
meaning of all the talk about scientific criminology and remedial
penalties. For such outcasts, punishment is to be abolished by being
perpetuated. When men propose to eliminate retribution as “vindictive,”
they mean two very simple things: ceasing altogether to punish the few
who are rich, and enslaving all the rest for being poor.
Public-domain text, read in full here on John Shaqi.
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