Fanny Campbell, The Female Pirate Captain: A Tale of The RevolutionBallou, Maturin M. (Maturin Murray)
History
Fanny Campbell, The Female Pirate Captain: A Tale of The Revolution
Ballou, Maturin M. (Maturin Murray)
Sea stories; United States -- History -- Revolution, 1775-1783 -- Fiction; War stories; Women pirates -- Fiction
‘Mutiny?’ said he half enquiringly.
‘Why you see, your honor--’ ventured one of the men.
‘Peace then,’ said Channing, ‘who made you spokesman for this ship?’
‘We thought, your honor,’ commenced another.
‘Stay, fellow, no excuse, there is none. Unbind that man,’ he said in
a voice so low and musical that one would have thought it was a farce
being rehearsed instead of a scene of blood. But those about him saw by
blue eye that watched their every movement that they _must_ obey. The
mate was quickly unbound, and the men shrunk cowering away from the
spot, gathering in a knot forward, and the most disaffected grumbling
aloud. Suddenly one of this latter number, as if determined to do some
mischief, sprang off to the tiller rope, and taking a knife from his
pocket was about to sever it, when Channing whose quick eye had followed
him said: ‘Hold there, what would you do?’
‘You ain’t old enough, sir, according to my reckoning,’ said the man
insolently, ‘to command two vessels at the same time.’
‘Hold there, I say,’ continued Channing ‘cut that rope and you sever
your own existence. Now cut if you will,’ said he levelling a pistol at
the man.
This man was one of the crew taken in the prize, and who had falsely
represented himself to be an American. He now paused for a single moment
as if undecided and then cut the rope, which caused the ship to broach
to at once: but it was the death signal of the mutineer. Channing,
taking a step or two towards him, sent a ball direct to his heart, the
man gave a terrific scream of agony and pain, and leaped into the sea a
corpse.
‘Who is there here that wishes to share that man’s fate? Who will make
himself an example for the rest?’ said Channing, still in the same low
musical tone of voice, while his eyes shone like living fire, and his
finger rested on the trigger of another pistol. Two or three of the men
now fell upon their knees and implored forgiveness.
‘You richly deserve the yard arm,’ he said.
‘Spare us,’ they cried; one or two having got a glimpse of their late
companion who still floated along side, were trembling with fear.
‘That will depend upon your future conduct,’ was the answer.
Public-domain text, read in full here on John Shaqi.
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