Only the exceptional man or woman bears the strain of a great shame and
sorrow with no outside help. Mrs. Farquharson’s pride in her son went
side by side with ceaseless fear. Richard’s fatal likeness to her dead
firstborn, dearer far than Richard because he was the child of early
wifehood, stabbed her heart. She had loved that child too well;
forgetfulness of God by the mother had been visited by God upon the son,
she told herself. And to watch another pay the price of your own sin is
sin’s most bitter penalty.
In Douglas Farquharson’s case, there had been that sudden extraordinary
return to a vicious type which occurs occasionally in a family that has
for centuries bred fine men and fair women. When, page by page, after
his death the record that proved his guilt was spelled out by his
mother, the only plea she could urge in his defence was that the
selfishness of her own love, given to man instead of God, had marred and
distorted the human image by its very fervour.
She had "counted it a glory to make vain things." Her care had been,
like the potter, "to strive with the goldsmiths and silversmiths." The
voices of husband and child had made such triumphant music in her ears,
that God’s sublime call was drowned; she had bartered Heaven for a brief
hour of human rapture, to find that God was a God of vengeance as well
as love and love a two-edged sword which can wound or kill.
That very night, on her bedroom wall, she thought she saw a warning
written in letters of flame. "His heart is ashes and his hope vain
earth, his life more base than clay." ... "Being himself mortal, he
fashioneth a dead thing with his hands."
Day after day, as Richard grew stronger and more handsome, she asked
herself if he were born only to inherit his brother’s legacy of
dishonour. He looked frank and open enough, but eyes that shone as
purely as his had been the casket of lies, and lips which had met hers
more easily had given themselves to what was incredibly base.
The dead are often nearer to us than the living. Mrs. Farquharson’s dead
were scourges. When Douglas killed himself the shock broke his father’s
heart. By day and night his mother made silent pilgrimage to two lonely
graves.
Public-domain text, read in full here on John Shaqi.
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