One morning, drawn early to the cool solitude of the river after a
sleepless night, she saw her boy bathing, a slim white figure without an
ounce of superfluous flesh on his bones, with every muscle developed,
and skin like satin, shining purely against the deep banks and
undergrowth; a picture framed by pines, through which the light of the
autumn dawn came slowly. Hidden from him, she watched with look wide
and tender, with eyes as moist as the supple limbs from which he shook
the water of the burn, standing strong and vigorous, breathing quickly
after his swim, unconsciously rejoicing in his power. Bone of her bone,
flesh of her flesh, she thrilled again with proud remembrance that she
had borne pain for him and given him life.... Then his characteristic
gesture the impatient pushing of the wet hair from his forehead,
reminded her suddenly of his brother. She shrank back as if a spirit of
evil pursued her.
Between herself and God there was a wall too high for mercy or prayers
to pierce. Her religion forbade her to pray for her dead—prayers for
the dead were heresy. In the blindness of her despair she invented a
species of soul crucifixion striking with almost frenzied agony at the
root of her love for Richard.
He at least should never know how she loved him; discipline and duty
should be the twin lights to guide his way, never the false light of a
selfish love.
After this she instituted a new and more terrible rule of discipline,
both for herself and her son. Richard came to her daily as before, but
now even the conventional kiss was denied him, and three hours’ study of
complicated points of doctrine took its place. The fate of sinners was
the prevailing theme, the punishment of sins of whose very existence he
was unaware. In the narrow hot room he would stand rebellious, either
answering at random or not answering at all. Outside, bees hummed and
birds sang, and insect life was joyous. The world he loved stretched
very far in infinite fairness, God’s exquisite world that had hitherto
raised his thoughts to its Maker. "His brother the wind, his sister the
earth," had seemed to point the way to a God worth loving. But how
could he but hate the dreadful God of the ancient law into whose power
it was so terrible to fall, the God who raised His hands only to strike,
who broke the heart of His children as men break stones by the wayside,
and had so little pity for the innocent child of shame?
Yet this was the God with whom he was brought in hourly contact, this
Being who saw evil where Richard was convinced no evil was. Why was it
wrong, for instance, to love inanimate things so passionately, to weep
at a bird’s death and rejoice at its birth? Why should not his face
light up at sight of the small furred and feathered things, which were
his only friends? He would escape for hours to be in their company, and
pay the penalty for such adventures later, when, sought for with terror,
he was met with punishment and humiliation.
Public-domain text, read in full here on John Shaqi.
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