Persephone; and the possession of Helen, as we shall see in the
third act, is the reward of his intrepidity. But, though Faust seems
now amply provided for, the phantasmal hubbub goes on. The Sirens
and the Sphynxes again come to the front, singing and soliloquising
as before; likewise the ants and the griffins; and to them presently
are associated, Seismos (earthquake), the Pygmies or Lilliputians,
and the Idæan Dactyles or Tom Thumbs of antiquity; with them--in
honour of Schiller, we may suppose--the cranes of Ibycus; then
Empusa the foul ass-footed blood-sucking hag, and troops of hideous
Lamias to captivate the Gothic taste of Mephistopheles; but even
these are not ugly enough for him; so he wanders on through the
Fair, till he encounters the three daughters of Phorcys, who had
only one eye and one tooth among them; and from one of these he
borrows her hideous mask, that he may perform juggleries behind it
in a future part of the play. Meanwhile Homunculus, in prosecution
of his eager desire to be developed, has hunted out two
philosophers, Anaxagoras and Thales; and under the guidance of the
latter, he proceeds through the peopled air to the adjacent bays of
the Ægean Sea, where the marine gods and demi-gods are holding
their revels. To this water-festival the scene finally changes; and
forthwith a new swarm of vocal apparitions begins to buzz around us;
among whom (besides the Sirens, whom we had before) Nereus and
Proteus, the Telchins of Rhodes, the Cabiri of Samothrace, with
troops of shell-blowing Tritons, and Nereids riding on dolphins and
hippocampes, are the most remarkable. With these fair apparitions,
and the pleasant aquatic sports in which they are engaged,
Homunculus, under the appropriate teaching of Thales, the
water-philosopher, seems vastly delighted; and mounting on the
dolphin-back of Proteus, careers about from creek to creek, seeking
anxiously for a just occasion of being fully developed. This desired
consummation, accordingly, happens sooner perhaps than the little
man had fancied, and in an unexpected fashion; for, as he bounds
along from wave to wave gallantly, on the back of the multiform
sea-god, the lovely Galatea, the fairest of the daughters of Doris,
suddenly presents herself to his view, all radiant with marine
beauty, like a sea-Venus, drawn in a shell-car. To stand unmoved at
such a spectacle was not possible, as we may remember, even to
ponderous Polypheme in the Ovidian ballad, much less to a nimble and
highly excitable Homunculus. A commotion is immediately observed in
the waters close to Galatea's car; the silver foam becomes red and
glowing; the spark of Homunculus dilates itself into a blaze; a
breaking of glass and a plashing of water is heard; and a bright
illumination spreads itself widely over the festal waves. Hereupon
breaks in full and symphonious the song of the Sirens.
Public-domain text, read in full here on John Shaqi.
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