Fenelon's Treatise on the Education of Daughters: Translated from the French, and Adapted to English ReadersFénelon, François de Salignac de La Mothe-
Philosophy
Fenelon's Treatise on the Education of Daughters: Translated from the French, and Adapted to English Readers
Fénelon, François de Salignac de La Mothe-
Women -- Education
Sometimes a mother is prejudiced against a governess, and undertakes
the management of the child herself, while the daughter cunningly acts
contrary to her taste. When children are so wretched that they are under
the necessity of disguising their sentiments, the way of extricating
them from such a dilemma, is, to instruct them solidly in the maxims of
true prudence--as one perceives that the method of correcting a taste
for novels and romances, is, by exciting a turn for useful and agreeable
histories. If you do not encourage a rational curiosity, they will
entertain an irrational one--in like manner, if you do not form their
minds on the principles of true prudence, they will become attached to
falsehood, which is, in fact, _finesse_.
Shew them, by examples, how one is able, without duplicity, to be
discreet, foresighted, and attached to _legitimate_ means of succeeding.
Tell them that prudence consists chiefly in speaking little--in
entertaining a greater distrust of oneself than of others, and not in
uttering false sentiments, and playing a deceitful part. An upright
conduct, and a general reputation for integrity, begets more confidence
and esteem, and, in the end, even more temporal advantages, than
perverse and suspicious habits. How much does this judicious rectitude
of conduct distinguish a person, and render her fit for the most
important undertakings!
But add, how base and contemptible is _premeditated finesse_! it is
either an account of some trifle which one is ashamed to mention, or it
must be considered as a pernicious passion. When one wishes for that
which it is lawful to wish for, the request is made openly--and it is
sought for in a direct and proper method, with moderation. What is
there more delightful and agreeable, than to be sincere? always
tranquil--always content--having nothing to fear or to feign? On the
contrary, a dissimulating character is always in agitation--remorse--and
danger--and under the deplorable necessity of covering _one finesse_ by
substituting an _hundred others_.
With all these shameful disquietudes, artificial characters never escape
that misery from which they are constantly flying--sooner or later their
_real_ character will appear. If the world has been their dupe in some
single action, it will not continue so during the whole of their lives:
oftentimes they are the dupes of those whom they wished to deceive: for
there is sometimes an appearance of being dazzled by them, and they
think themselves beloved--at the very moment, perhaps, when they are
despised. At least they cannot prevent suspicion--and can any thing be
more contrary to the rational interests of a prudent woman, than to see
herself always suspected? Unfold these things by degrees--according as
opportunity, necessity, or the bent of your pupil's intellect, may
suggest.
Public-domain text, read in full here on John Shaqi.
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