Fern Leaves from Fanny's Port-folio. Second Series — John Shaqi
Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
General
Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
It was a comical little old shop, “Aunt Hepsy’s,” with its
Lilliputian counter, shelves and stove, and its pigmy assortment
of old-fashioned ginghams, twilled cambrics, red flannels, factory
cotton and homespun calicoes; its miniature window, with its stock
of horn-combs and candy, tin horses and peppermint drops, skeins
of yarn and Godfrey’s Cordial, gaudy picture books, and six-penny
handkerchiefs, from whose center Lafayette and George Washington smiled
approbatively upon the big A’s and little A’s printed round the border.
“Aunt Hepsy;” so every brimless-hatted urchin in the neighborhood
called her, though it would have puzzled them worse than the
multiplication table, had you asked them why they did so. Year in and
year out, her ruddy English face glowed behind the little shop window.
Sometimes she would be knitting a pair of baby’s socks, sometimes
inventing most astonishing looking bags out of rainbow fragments
of silk or ribbon. Sometimes netting watch-guards, or raveling the
yarn from some old black stocking, to ornament the “place where the
wool ought to grow,” on the head of some Topsy doll she was making.
Sometimes comforting herself with a sly pinch of snuff, or, when
sunbeams and customers were scarce, nodding drowsily over the daily
papers.
Aunt Hepsy _had_ been a beauty, and her pretty face had won her
a thriftless husband, of whom champagne and cigars had long since
kindly relieved her. And though Time had since forced her to apply
to the perruquier, he had gallantly made atonement by leaving her in
the undisputed possession of a pair of very brilliant black eyes.
Add to this a certain air of coquetry, in the fanciful twist of her
gay-colored turban, and the disposal of the folds of her lace kerchief
over her ample English bust--and you have a faithful daguerreotype of
“Aunt Hepsy.”
From the window of her little shop she could look out upon the blue
waters of the bay, where lay moored the gallant ships, from whose
tall masts floated the stars and stripes, and whose jolly captains
might often be seen in Aunt Hepsy’s shop, exchanging compliments and
snuff, and their heavy voices heard, recounting long Neptune yarns,
and declaring to the buxom widow that nothing but the little accident
of their being already spliced for life, prevented their immediately
spreading sail with her for the port of Matrimony. Aunt Hepsy
usually frowned at this, and shook her turbaned head menacingly, but
immediately neutralized it, by offering to mend a rip in their gloves,
or replace a truant button on their overcoats.
Public-domain text, read in full here on John Shaqi.
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