The Countess turned very pale, but she had been too long accustomed to
this shy avoidance, this horror of her embrace, to be offended by it.
So it had been for months, but the mother could not, or would not,
understand that her son's love was altogether lost to her.
'Think of my request,' she said, collecting her energies. 'Take some
care of yourself for Hedwig's sake. Show some prudence and moderation;
you owe it both to her and to yourself.'
Then she rose from her seat and left the room, hesitating yet a moment
on the threshold. Perhaps she hoped to be detained; if so, the hope
was futile. Edmund stood quite motionless, not looking up until she
had quitted the room.
Left thus alone, the young Count drew himself erect, gazed for some
minutes fixedly at the door through which his mother had passed, and
then, going up to the window, pressed his hot brow against the panes.
Now that he knew himself to be alone, the mask of gaiety with which he
sought to deceive those about him fell, and in its place came an
expression so gloomy, so despairing, that the Countess's anxiety
seemed but too fully justified. Sombre and terrible must have been the
thoughts which racked the young man's mind as he stood there, looking
out at the now thickly-falling snow. So completely was he absorbed by
them, that he did not hear the door open, and was only conscious of
another presence when the rustling of a dress near him roused him from
his brooding. Then he started and turned round.
'Ah, you are there, Hedwig. Have you told your father he may expect
us?'
Hedwig could hardly have caught sight of her lover's face, but from
the tone of his voice she became aware that for a moment he had given
up all feigning. Instead of replying to his question, she laid her
hand on his, and said very quietly:
'What is the matter with you, Edmund?'
'With me? nothing. I was inwardly swearing at the weather, which
promises us nothing good for to-morrow. I know what this driving snow
portends when once it fairly sets in among our mountains. Very
possibly we shall be blockaded to-morrow, and not able to get out into
the woods at all.'
'Well, give up your sport then. You take no real pleasure in it.'
Edmund frowned.
'Why should I not take pleasure in it?' he asked, in rather an angry
tone.
'That question I should put to you. Why have you lost pleasure in all
that you cared for formerly? Am I never to learn the trouble that is
tormenting you and weighing on your spirits? I have, it seems to me,
the best right to know it.'
'This is a regular inquisition,' cried Edmund, laughing. 'How can you
take a momentary caprice, a mere passing bout of ill-humour, so
seriously to heart? But I notice you have got into the way of striking
the pathetic chord on every possible occasion. If I would consent to
do my part, we should be a most sentimental couple; unfortunately, I
think that to be sentimental is invariably to be ridiculous.'
Public-domain text, read in full here on John Shaqi.
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