and which, very possibly, may have borrowed some of its inspiration from Fielding's "dramatic satire." There is every reason to suppose that the profits of _Pasquin_ were far greater than those of any of its author's previous efforts. In a rare contemporary caricature, preserved in the British Museum, [Footnote: Political and Personal Satires, No. 2287.] the "Queen of Common-Sense" is shown presenting "Henry Fielding, Esq.," with a well-filled purse, while to "Harlequin" (John Rich of Covent Garden) she extends a halter; and in some doggerel lines underneath, reference is made to the "show'rs of Gold" resulting from the piece. This, of course, might be no more than a poetical fiction; but Fielding himself attests the pecuniary success of _Pasquin_ in the Dedication to _Tumble-Down Dick_, and Mrs. Charke's statement in her Memoirs that her salary for acting the small part of Lord Place was four guineas a week, "with an Indulgence in Point of Charges at her Benefit" by which she cleared sixty guineas, certainly points to a prosperous exchequer. Fielding's own benefit, as appears from the curious ticket attributed to Hogarth and facsimiled by A. M. Ireland, took place on April 25, but we have no record of the amount of his gains. Mrs. Charke farther says that "soon after _Pasquin_ began to droop," Fielding produced Lillo's _Fatal Curiosity_ in which she acted Agnes. This tragedy, founded on a Cornish story, is one of remarkable power and passion; but upon its first appearance it made little impression, although in the succeeding year it was acted to greater advantage in combination with another satirical medley by Fielding, the _Historical Register for the Year_ 1736.