Authors, English -- 18th century -- Biography; Fielding, Henry, 1707-1754
Like most sequels, the _Historical Register_ had neither the vogue nor
the wit of its predecessor. It was only half as long, and it was even
more disconnected in character. "Harmonious Cibber," as Swift calls him,
whose "preposterous Odes" had already been ridiculed in _Pasquin_ and
the _Author's Farce_, was once more brought on the stage as Ground-Ivy,
for his alterations of Shakespeare; and under the name of Pistol,
Theophilus Cibber is made to refer to the contention between his second
wife, Arne's sister, and Mrs. Clive, for the honour of playing "Polly"
in the _Beggar's Opera_, a play-house feud which at the latter end of
1736 had engaged "the Town" almost as seriously as the earlier rivalry
of Faustina and Cuzzoni. This continued raillery of the Cibbers is, as
Fielding himself seems to have felt, a "Jest a little overacted;" but
there is one scene in the piece of undeniable freshness and humour, to
wit, that in which Cock, the famous salesman of the Piazzas--the George
Robins of his day--is brought on the stage as Mr. Auctioneer Hen (a part
taken by Mrs. Charke). His wares, "collected by the indefatigable Pains
of that celebrated Virtuoso, _Peter Humdrum_, Esq.," include such
desirable items as "curious Remnants of Political Honesty," "delicate
Pieces of Patriotism," Modesty (which does not obtain a bid), Courage,
Wit, and "a very neat clear Conscience" of great capacity, "which has
been worn by a Judge, and a Bishop." The "Cardinal Virtues" are then put
up, and eighteen-pence is bid for them. But after they have been knocked
down at this extravagant sum, the buyer complains that he had understood
the auctioneer to say "a Cardinal's Virtues," and that the lot he has
purchased includes "Temperance and Chastity, and a Pack of Stuff that he
would not give three Farthings for." The whole of this scene is
"admirable fooling;" and it was afterwards impudently stolen by
Theophilus Cibber for his farce of the _Auction_. The _Historical
Register_ concludes with a dialogue between Quidam, in whom the audience
recognised Sir Robert Walpole, and four patriots, to whom he gives a
purse which has an instantaneous effect upon their opinions. All five
then go off dancing to Quidam's fiddle; and it is explained that they
have holes in their pockets through which the money will fall as they
dance, enabling the donor to pick it all up again, "and so not lose one
Half-penny by his Generosity."
Public-domain text, read in full here on John Shaqi.
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