Finding the Worth While in the SouthwestSaunders, Charles Francis
History
Finding the Worth While in the Southwest
Saunders, Charles Francis
Southwest, New -- Description and travel
Having got thus far up the Rio Grande, let nothing deter you from
visiting Taos (they pronounce it _Towss_). By automobile it is about 50
miles northeast of Española or you can reach it quite expeditiously by
Denver & Rio Grande train to Taos Junction and auto-connection thence
about 30 miles to Taos.[10] Situated in a fertile plain, 7000 feet above
the sea, in the heart of the Southern Rockies, Taos is one of the most
charming places in America. It is in three parts. There is the outlying
hamlet Ranchos de Taos; then the picturesque Mexican town Fernandez de
Taos, famous in recent years for a resident artist colony whose pictures
have put Taos in the world of art; and lastly, there is the pueblo of
Taos. From very early times the pueblo has played an important role in
New Mexican history. It was here the San Juaneño Popé found the readiest
response to his plans of rebellion. Later the location on the confines
of the Great Plains made it an important trading center with the more
northern Indians. The annual summer fair for _cambalache_, or traffic by
barter, held at Taos in the latter part of the eighteenth century, was a
famous event, the Plains tribes bringing skins and furs and Indian
captives to trade for horses, beads and metal implements. The commercial
opportunities combined with the fertility of the soil and an unfailing
water supply led to the founding of Fernandez de Taos by whites. In the
days of Mexican supremacy part of the traffic over the Santa Fe Trail
passed this way and a custom house was here. The ruins of a large adobe
church in the pueblo form a memento of the troublous days of 1847, when
a small rebellion participated in by Mexicans and a few Taos Indians
took place here and the American governor, Bent, was murdered. At
Fernandez de Taos, the famous frontiersman Kit Carson lived for many
years, and here his grave may still be seen.
Public-domain text, read in full here on John Shaqi.
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