Fire-making Apparatus in the U. S. National MuseumHough, Walter
History
Fire-making Apparatus in the U. S. National Museum
Hough, Walter
Firemaking; Indians of North America -- Implements
The Kaffir blacksmith never need trouble himself about the means of
obtaining a fire. Should he set up his forge in the vicinity of a
Kraal, the simplest plan is to send his assistant for a fire-brand
from one of the huts. But if he should prefer, as is often the case,
to work at some distance from the huts, he can procure fire with
perfect certainty, though not without some labor. He first procures
two sticks, one of them taken from a soft-wood tree and the other from
an acacia or some other tree that furnishes a hard wood. Of course
both sticks must be thoroughly dry, a condition about which there is
little difficulty in so hot a climate. His next care is to shape one
end of the hard stick into a point and to bore a small hole in the
middle of the soft stick. He now squats down * * * places the pointed
tip of the hard stick in the hole of the soft stick, and, taking the
former between his hands, twirls it backwards and forwards with
extreme rapidity. As he goes on the hole becomes enlarged and a small
quantity of very fine dust falls into it, being rubbed away by the
friction. Presently the dust is seen to darken in color, then to
become nearly black, and presently a very slight smoke is seen to
rise. The Kaffir now redoubles his efforts; he aids the effect of the
revolving stick by his breath, and in a few more seconds the dust
bursts into a flame. The exertion required by this operation is very
severe, and by the time the fire manifests itself the producer is
bathed in perspiration.
Usually two men at least take part in fire-making, and by dividing the
labor very much shorten the process. It is evident that if the
perpendicular stick be thus worked, the hands must gradually slide
down until they reach the point. The solitary Kaffir would then be
obliged to stop the stick, shift his hands to the top, and begin
again, thus losing much valuable time. But when two Kaffirs unite in
fire-making, one sits opposite the other, and as soon as he sees that
his comrade’s hands have nearly worked themselves down to the bottom
of the stick he places his own hands on the top, continues the
movement, and relieves his friend. Thus the movement of the stick is
never checked for a moment, and the operation is consequently
hastened. Moreover, considerable assistance is given by the second
Kaffir keeping the dust properly arranged round the point of the stick
and by taking the part of the bellows, so as to allow his comrade to
expend all his strength in twirling.[28]
It is an anomaly that the African, to light the fire to smelt the iron
out of which he forges his remarkable weapons, should use sticks of
wood.
2. ESKIMO FOUR-PART APPARATUS.
The arts of the Eskimo yield more satisfactory results to students of
comparative ethnology than those of any other people.
Public-domain text, read in full here on John Shaqi.
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