Fire-making Apparatus in the U. S. National MuseumHough, Walter
History
Fire-making Apparatus in the U. S. National Museum
Hough, Walter
Firemaking; Indians of North America -- Implements
In all their range the culture is uniform; one finds this fact forced
upon his observation who has examined the series of specimens in the
National Museum, where they are arranged in order by localities from
Labrador to southern Alaska. Prof. Otis T. Mason’s paper on Eskimo
throwing-sticks[29] gave a new interpretation to this fact and
powerfully forwarded the study of ethnology by showing the
classificatory value of the distribution of an art.
Professor Mason points out that though the Eskimo culture is uniform in
general, in particular the arts show the modification wrought by
surroundings and isolation—tribal individuality, it may be called—and
admit of the arrangement of this people into a number of groups that
have been subjected to these influences.
The Eskimo fire-making tools in the Museum admit of an ethnographic
arrangement, but in this paper it is not found necessary to make a close
study of this kind. From every locality whence the Museum possesses a
complete typical set, it has been figured and described.
The Eskimo are not singular in using a four-part apparatus, but are
singular in the method of using it. The mouth-piece is the peculiar
feature that is found nowhere else.
The drilling and fire-making set consists of four parts, viz:
The mouth-piece,—sometimes a mere block of wood, ivory, or even the
simple concave vertebra of a fish, or the astragalus of a caribou. More
often, they show great skill and care in their workmanship, being carved
with truth to resemble bear, seals, whales, and walrus. The seal is the
most common subject. The upper part is almost always worked out into a
block, forming a grip for the teeth. The extent to which some of these
are chewed attests the power of the Eskimo jaw. Frequently the piece is
intended to be held in the hand, or in both hands, hence it has no teeth
grip. In the under part is set a piece of stone, in which is hollowed
out a cup-shaped cavity to hold the head of the drill. These stones seem
to be selected as much for their appearance as for their anti-friction
qualities. They use beautifully-mottled stone, marble, obsidian, and
ringed concretions.
The drill is always a short spindle, thicker than any other drill in the
world. It is frequently of the same kind of wood as the hearth.
The thong is the usual accompaniment of the fire drill. It is rawhide of
seal or other animals. The handles have a primitive appearance; they are
nearly always made of bears’ teeth, hollow bones, or bits of wood.
Sometimes handles are dispensed with. Mr. Warren K. Moorhead found some
perforated teeth in an Ohio mound that in every respect resemble the
Eskimo cord handles. They have also been found in caves in Europe
decorated with concentric circles like those on the Eskimo specimens.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account