While I was busy with these arrangements, I by no means neglected my
master. For a week or two after the disturbing visit paid by Sir
Charles Venner, Mr. Cavanagh, and Dr. Fulton, he remained in a
preoccupied and gloomy mood, and seemed unable to settle down to work.
I listened in my pantry by the hour, to his footsteps restlessly pacing
the floor of his library above my head. He also went out more
frequently than was his custom, and remained longer away from the
house. He was irritable and hard to please. However quietly I entered
any room where he was, he heard and anxiously confronted me. He seemed
constantly to expect an unwelcome visitor. Sometimes he swore at me for
startling him, but he always apologised, and I saw that he was
beginning to like me well. I longed for him to trust me, for I was
burning with curiosity to know what determination his society had
arrived at, regarding his daring impersonator. But that was out of the
question, and I was obliged to content myself with guesses. Gradually
his alarm passed off, and he resumed his literary labours as of yore.
That pleased me, for I felt that his attitude might be relied upon to
reflect the feelings of his fellow conspirators. I began to consider
what further step I should take in my campaign to elucidate the mystery
surrounding that strange brotherhood. After a great deal of reflection,
I resolved to shadow Sir William on the next Sunday excursion, for I
could not help suspecting that his regular absences from home on that
day in each week had something to do with the secret society to which
he belonged. With that end in view, on the following Saturday
afternoon, I begged my master to allow me a holiday until the Monday
morning, pleading by way of excuse a dear friend's sudden illness. He
graciously consented, upon my promising to prepare his breakfast
beforehand. I left the house about nine o'clock, and repaired to my
little stronghold in Bruton Street, where I spent the night. Always an
early riser, I arose at dawn, and made a hearty meal of the provisions
which I had brought with me. I occupied the next few hours in selecting
and perfecting a disguise. On this head, I may here remark, that I have
never in my life committed a mistake of attempting to assume a
character representative of a class. Such an undertaking requires too
great a strain upon the imagination, and however clever one may be,
breeds mischievous errors of detail and anachronisms, so to say, which
may readily be detected by a keen observer. My method has always been
to impersonate, that is, to duplicate as closely as possible, some
living person, with whose habits and idiosyncrasies I am familiar. On
this occasion I chose for my model an old actor with whom I had once
upon a time shared rooms in Birmingham. His name was Francis Leigh. He
was a tragedian of a bygone generation, and he had many tricks and
mannerisms which I had delighted to imitate. When I had completed my
Public-domain text, read in full here on John Shaqi.
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