Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
She took a last look at the patch-work country, noted once again the lie
of the road through the valley below, and then, with a little gasp like
a bather taking the plunge, took to her heels and ran down the
hill-side.
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CHAPTER VI
How long a day can be! An hour or less—so much less than an hour—how it
can lie in one’s memory like an interminable road, when pleasant years
are more forgotten than towns passed in the train. How long a little
time can be! Once I saw a woman—not Laura—grow old between a question
and an answer—between the opening and the shutting of a door.
Laura, at ten or twelve, would usher in a reminiscence with “When I was
a little girl,” and look bewildered if you laughed. “When I was young,”
said Laura, as innocently, at seventeen. And each time Laura would be
thinking of that Age of Gold and Crystal Palaces, with Mother at the
beginning, and at the end of it—Justin. And yet, less of it than of the
four-hour Odyssey that closes her childhood, that cuts her memories in
two and provides you with the spectacle, comical, pathetic, or merely
curious, as it happens to strike you, of a proved soul waiting wearily,
amid school books and pig-tails and lengthening skirts, amid vanities
and ignorances and experiments, for body and brain to grow up to it.
Those four hours—joyfully down dale and up hill to another glimpse of a
receding heaven, and then down dale again, not quite so springily—those
four hours Laura never forgot. Each incident of the road—the
stumble-stone that cut her knee: a bolting rabbit startling itself and
her, and the fat thrush cracking a snail on her first milestone: a
stony-faced house seen through laurels that encircled it stiffly like an
Elizabethan ruff: meteoric motor-cars that frightened her into ditches,
and once a nettle-bed: that black wood where, through dead leaves, her
own shadow had stalked ghoulishly behind her, upon feet that were the
echoes of her own: the sun-pool of a chalk-pit, trailing and tropical,
like pictures in the _Swiss Family Robinson_, with mighty garlands of
old-man’s beard: a village pond with ducks and slime and dragon-flies:
babies on door-steps, and shrill women: sharp-horned staring cows: dust
and sunshine and the terrible tramps—each and all had been etched
indelibly upon a mind that excitement had made more than ever sensitive
to impressions.
Public-domain text, read in full here on John Shaqi.
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