Fishes, Flowers, & Fire as Elements and Deities in the Phallic Faiths & Worship of the Ancient Religions of Greece, Babylon, Rome, India, &c.Anonymous
Religion
Fishes, Flowers, & Fire as Elements and Deities in the Phallic Faiths & Worship of the Ancient Religions of Greece, Babylon, Rome, India, &c.
Anonymous
Phallicism
"Thunberg affirms that the Japanese regard the plant as pleasing to the
gods, the images of their idols being often represented sitting on its
large leaves. In China, the Shing-moo or Holy Mother is generally
represented with a flower of it in her hand, and few temples are without
some representation of the plant.
"According to Chinese mythology, Shing-moo bore a son, while she was a
virgin, by eating the seeds of this plant, which lay upon her clothes on
the bank of a river where she was bathing. In the course of time she
returned to the same place, and was there delivered of a boy. The infant
was afterwards found and educated by a poor fisherman, and in process of
time became a great man and performed miracles. When Shing-moo is
represented standing, she generally holds a flower in her hand; when she
is sitting, she is usually placed upon one of its leaves."[19]
The Lotos (Lotus) is held in the highest veneration in India, inclusive of
Thibet and Nepaul. Amongst the Brahmans and enthusiastic Hindoos, no
object in nature is looked on with more superstition; and their books
abound in mystical allusions to this lovely aquatic. Being esteemed the
most beautiful of vegetables, it not unappropriately furnishes a name for
the Hindoo queen of beauty, and Kamal or Kamala is a name of Lakshmi: as
is Padma or Pedma, another Sanscrit appellation for both. Under the form
of Kamala, Lakshmi is usually represented with a Lotos in her hand, and in
most pictures and statues of her consort Vishnu, he is furnished with the
Pedma, or Lotus bud, in one of his four hands, as a distinguishing
attribute. Accordingly, as it is represented in different stages of
efflorescence, it varies, in the eyes of mystics, its emblematical
allusions. As an aquatic, the Lotos is a symbol also of Vishnu, he being a
personification of water or humidity, and he is often represented seated
on it. Brahma the creative power, is also sometimes seated on the Lotos,
and is borne on its calyx in the whimsical representation of the
renovation of the world, when this mystical plant issued out of the navel
of Vishnu from the bottom of the sea where he was reposing on the serpent
Lesha.
Public-domain text, read in full here on John Shaqi.
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