Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
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Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
A tall, thinnish man, with silky pale-brown hair, worn long and put
back behind his ears, the high tops of which bent forward a little
under the weight, and thus took on the most remarkable air of paying
incessant attention to everybody and everything; set far out in front
of these ears, as though it did not wish to be disturbed by what was
heard, a white, wind-splitting face, calm, beardless, and seeming never
to have been cold, or to have dropped the kindly dew of perspiration;
under the serene peak of this forehead a pair of large gray eyes,
patient and dreamy, being habitually turned inward upon a mind toiling
with hard abstractions; having within him a conscience burning always
like a planet; a bachelor--being a logician; therefore sweet-tempered,
never having sipped the sour cup of experience; gazing covertly at
womankind from behind the delicate veil of unfamiliarity that lends
enchantment; being a bachelor and a bookworm, therefore already old at
forty, and a little run down in his toilets, a little frayed out at the
elbows and the knees, a little seamy along the back, a little deficient
at the heels; in pocket poor always, and always the poorer because of
a spendthrift habit in the matter of secret chanties; kneeling down
by his small hard bed every morning and praying that during the day
his logical faculty might discharge its function morally, and that his
moral faculty might discharge its function logically, and that over all
the operations of all his other faculties he might find heavenly grace
to exercise both a logical and a moral control; at night kneeling down
again to ask forgiveness that, despite his prayer of the morning, one
or more of these same faculties--he knew and called them all familiarly
by name, being a metaphysician--had gone wrong in a manner the most
abnormal, shameless, and unforeseen; thus, on the whole, a man shy
and dry; gentle, lovable; timid, resolute; forgetful, remorseful;
eccentric, impulsive, thinking too well of every human creature but
himself; an illogical logician, an erring moralist, a wool-gathered
philosopher, but, humanly speaking, almost a perfect man.
But the magic flute? Ah, yes! The magic flute!
Well, the parson had a flute--a little one--and the older he grew, and
the more patient and dreamy his gray eyes, always the more and more
devotedly he blew this little friend. How the fond soul must have loved
it! They say that during his last days as he lay propped high on white
pillows, once, in a moment of wandering consciousness, he stretched
forth his hand and in fancy lifting it from the white counterpane,
carried it gently to his lips. Then, as his long, delicate fingers
traced out the spirit ditties of no tone and his mouth pursed itself in
the fashion of one who is softly blowing, his whole face was overspread
with a halo of ecstatic peace.
Public-domain text, read in full here on John Shaqi.
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