Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
And yet, for all the love he bore it, the parson was never known to
blow his flute between the hours of sunrise and sunset--that is, never
but once. Alas, that memorable day! But when the night fell and he came
home--home to the two-story log-house of the widow Spurlock; when the
widow had given him his supper of coffee sweetened with brown sugar,
hot johnny-cake, with perhaps a cold joint of venison and cabbage
pickle; when he had taken from the supper table, by her permission, the
solitary tallow dip in its little brass candlestick, and climbed the
rude steep stairs to his room above; when he had pulled the leathern
string that lifted the latch, entered, shut the door behind him on
the world, placed the candle on a little deal table covered with
text-books and sermons, and seated himself beside it in a rush-bottomed
chair--then--He began to play? No; then there was dead silence.
For about half an hour this silence continued. The widow Spurlock used
to say that the parson was giving his supper time to settle; but, alas!
it must have settled almost immediately, so heavy was the johnny-cake.
Howbeit, at the close of such an interval, any one standing at the
foot of the steps below, or listening beneath the window on the street
outside, would have heard the silence broken.
At first the parson blew low, peculiar notes, such as a kind and
faithful shepherd might blow at nightfall as an invitation for his
scattered wandering sheep to gather home about him. Perhaps it was a
way he had of calling in the disordered flock of his faculties--some
weary, some wounded, some torn by thorns, some with their fleeces,
which had been washed white in the morning prayer, now bearing many
a stain. But when they had all answered, as it were, to this musical
roll-call, and had taken their due places within the fold of his
brain, obedient, attentive, however weary, however suffering, then the
flute was laid aside, and once more there fell upon the room intense
stillness; the poor student had entered upon his long nightly labors.
Hours passed. Not a sound was to be heard but the rustle of book
leaves, now rapidly, now slowly turned, or the stewing of sap in the
end of a log on the hearth, or the faint drumming of fingers on the
table--those long fingers, the tips of which seemed not so full of
particles of blood as of notes of music, circulating impatiently back
and forth from his heart. At length, as midnight drew near, and the
candle began to sputter in the socket, the parson closed the last book
with a decisive snap, drew a deep breath, buried his face in his hands
for a moment, as if asking a silent blessing on the day's work, and
then, reaching for his flute, squared himself before the dying embers,
and began in truth to play. This was the one brief, pure pleasure he
allowed himself.
Public-domain text, read in full here on John Shaqi.
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