Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
It was not a musical roll-call that he now blew, but a dismissal
for the night. One might say that he was playing the cradle song of
his mind. And what a cradle song it was! A succession of undertone,
silver-clear, simple melodies; apparently one for each faculty, as
though he was having something kind to say to them all; thanking some
for the manner in which they had served him during the day, the music
here being brave and spirited; sympathizing with others that had been
unjustly or too rudely put upon, the music here being plaintive and
soothing; and finally granting his pardon to any such as had not used
him quite fairly, the music here having a searching, troubled quality,
though ending in the faintest breath of love and peace.
It was not known whence the parson had these melodies; but come whence
they might, they were airs of heavenly sweetness, and as he played
them, one by one his faculties seemed to fall asleep like quieted
children. His long, out-stretched legs relaxed their tension, his feet
fell over sidewise on the hearth-stone, his eyes closed, his head
sank towards his shoulder. Still, he managed to hold on to his flute,
faintly puffing a few notes at greater intervals, until at last, by the
dropping of the flute from his hands or the sudden rolling of his big
head backward, he would awaken with a violent jerk. The next minute he
would be asleep in bed, with one ear out on guard, listening for the
first sound that should awake him in the morning.
Such having been the parson's fixed habit as long as any one had known
him, it is hard to believe that five years before his death he abruptly
ceased to play his flute and never touched it again. But from this
point the narrative becomes so mysterious that it were better to have
the testimony of witnesses.
II.
Every bachelor in this world is secretly watched by some woman. The
parson was watched by several, but most closely by two. One of these
was the widow Spurlock, a personage of savory countenance and wholesome
figure--who was accused by the widow Babcock, living at the other end
of the town, of having robust intentions towards her lodger. This piece
of slander had no connection with the fact that she had used the point
of her carving knife to enlarge in the door of his room the hole
through which the latch-string passed, in order that she might increase
the ventilation. The aperture for ventilation thus formed was exactly
the size of one of her innocent black eyes.
[Illustration: Head of woman]
Public-domain text, read in full here on John Shaqi.
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