Folk-Speech of Cumberland and Some Districts Adjacent: Being Short Stories and Rhymes in the Dialects of the West Border CountiesGibson, Alexander Craig
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Folk-Speech of Cumberland and Some Districts Adjacent: Being Short Stories and Rhymes in the Dialects of the West Border Counties
Gibson, Alexander Craig
English language -- Dialects -- England -- Cumberland -- Texts
The corruptions or variations of consonants are not so marked as those
of vowels. The most notable are the hardening of Th into Dd, making
father, _fadder_, mother, _mūdder_, etc.; and the dropping of the two
last of the three letters in the definite article, well illustrated
by the Whitehaven boy’s reply to an enquiry as to what ships had come
in:—“_T’_ ’Enry, an’ _t’_ ’Ebe, an’ _t’_ Ant, an’ _t’_ Atlas, an’ _t’_
Aurora;” i.e. the Henry, the Hebe, the Ant, the Atlas, and the Aurora.
Then we may notice the discarding of the final letter from all words
ending in ing, and changing that syllable in all present participles to
_an_, the participle of pass being in Cumberland more like the French
pass_ant_ than the English pass_ing_; also the final age being made
_ish_, as in _cabbish_ for cabbage, _manish_ for manage, etc.; the
final ous too undergoing the same change, as in _faymish_ for famous,
_parlish_ for parlous, etc.; also idge as in _poddish_ for porridge, or
primarily, potage.
V is often converted into B or Bb—evening, eleven, Whitehaven being
called _ebenin’_, _elebben_, _Whitehebben_, etc.
These corruptions and deviations comprise nearly all the points
wherein the dialect of Cumberland differs in sound and pronunciation
from ordinary English speech; and set forth roughly, as they are,
(abbreviations explaining themselves, and archaic words being given
in a concise glossary) they may, with a little attention, enable the
uninitiated reader to understand all the Cumbrian pieces contained in
this volume.
Some irregular verbs, as well as some not commonly classed as
irregular, are curiously varied in Cumbrian conjugations. I give a few
of these, written down as they rise in recollection, and arranged a la
Lindley Murray.
Public-domain text, read in full here on John Shaqi.
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