In this palatial ship the passengers dress for dinner. The ladies' toilettes make a fine display of color, and this is in keeping with the elegance of the vessel's furnishings and the flooding brilliancies of the electric light. On the stormy Atlantic one never sees a man in evening dress, except at the rarest intervals; and then there is only one, not two; and he shows up but once on the voyage--the night before the ship makes port--the night when they have the "concert" and do the amateur wailings and recitations. He is the tenor, as a rule . . . . There has been a deal of cricket-playing on board; it seems a queer game for a ship, but they enclose the promenade deck with nettings and keep the ball from flying overboard, and the sport goes very well, and is properly violent and exciting . . . . We must part from this vessel here. January 14. Hotel Bristol. Servant Brompy. Alert, gentle, smiling, winning young brown creature as ever was. Beautiful shining black hair combed back like a woman's, and knotted at the back of his head --tortoise-shell comb in it, sign that he is a Singhalese; slender, shapely form; jacket; under it is a beltless and flowing white cotton gown--from neck straight to heel; he and his outfit quite unmasculine. It was an embarrassment to undress before him. We drove to the market, using the Japanese jinriksha--our first acquaintanceship with it. It is a light cart, with a native to draw it. He makes good speed for half-an-hour, but it is hard work for him; he is too slight for it. After the half-hour there is no more pleasure for you; your attention is all on the man, just as it would be on a tired horse, and necessarily your sympathy is there too. There's a plenty of these 'rickshas, and the tariff is incredibly cheap.