Following the Equator: A Journey Around the World. Part 4Twain, Mark
General
Following the Equator: A Journey Around the World. Part 4
Twain, Mark
Equator -- Description and travel; Twain, Mark, 1835-1910 -- Travel; Voyages around the world
I was in Cairo years ago. That was Oriental, but there was a lack. When
you are in Florida or New Orleans you are in the South--that is granted;
but you are not in the South; you are in a modified South, a tempered
South. Cairo was a tempered Orient--an Orient with an indefinite
something wanting. That feeling was not present in Ceylon. Ceylon was
Oriental in the last measure of completeness--utterly Oriental; also
utterly tropical; and indeed to one's unreasoning spiritual sense the two
things belong together. All the requisites were present. The costumes
were right; the black and brown exposures, unconscious of immodesty, were
right; the juggler was there, with his basket, his snakes, his mongoose,
and his arrangements for growing a tree from seed to foliage and ripe
fruitage before one's eyes; in sight were plants and flowers familiar to
one on books but in no other way celebrated, desirable, strange, but in
production restricted to the hot belt of the equator; and out a little
way in the country were the proper deadly snakes, and fierce beasts of
prey, and the wild elephant and the monkey. And there was that swoon in
the air which one associates with the tropics, and that smother of heat,
heavy with odors of unknown flowers, and that sudden invasion of purple
gloom fissured with lightnings,--then the tumult of crashing thunder and
the downpour and presently all sunny and smiling again; all these things
were there; the conditions were complete, nothing was lacking. And away
off in the deeps of the jungle and in the remotenesses of the mountains
were the ruined cities and mouldering temples, mysterious relics of the
pomps of a forgotten time and a vanished race--and this was as it should
be, also, for nothing is quite satisfyingly Oriental that lacks the
somber and impressive qualities of mystery and antiquity.
Public-domain text, read in full here on John Shaqi.
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