“Of course. He is most artistic: master of every art--except that of
earning a decent living. As for hobbies! He has exhausted them. I
suggested that paying his debts would be a novel one--a complete
collection of receipted bills! But the idea didn’t appeal to him. He
was never afflicted with the form of indigestion called conscience.”
“He’s a journalist?”
“Yes; most brilliant. He assimilates everything--but his food. A
confirmed dyspeptic; he would have three serious internal diseases in
one week.”
Tryphena Hone, the little maidservant, brought in tea. The two young
women sat and chatted until the room grew dark. When the lamp came in,
it burned steadily. Pamela said:
“Our lamps never burn like that. Yet I see to them myself. Aunt Sophy
taught me her own particular way of trimming a lamp.”
“My lamp burns well because I never see to it myself. The whole duty of
the foolish young housekeeper is ‘doing the lamps.’
“I was telling you about Tim.” She seemed in a confidential mood. “He
was brought up to the profession of great expectations. One’s greatest
curse is a modest competence. We had it--until Tim’s father died,
without even leaving him the shilling with which he cut him off. We
hadn’t a halfpenny. Tim, with his unfailing originality, suggested
earning a living, but his profession had spoiled him. He was like the
Irishman who was willing to do anything but work or run errands. I took
in boarders, but it didn’t pay; I never happened on a _paying_ paying
guest. He tried journalism; every failure tries that. At last a man on
a rather prominent paper--worn out with importunities, no
doubt--shipped him to South America and told him to study
out-of-the-way sides of things. He paid him for it, too. His articles
have been a great success. It really seems as if our luck has turned.
Journalists are short-sighted; the man need not have sent him abroad
in search of novelty. I could tell strange tales. Every cottage here
has its skeleton, and I wheedle round the old people until they show
me the bones. I am making a note-book for Tim--he can write a series
of articles on Sussex skeletons when he comes home.”
She looked round at her bits of china and brass; at the shabby
furniture which she had picked up at sales and in odd corners.
“Every little thing,” she said, “has its history. Such tender
tales--such fierce, curdling, terrible tales--I hear from plodding men
and heavy women in these little Sussex cottages! And it is all the more
impressive because they are so phlegmatic. They tell you of a ruined
life much more calmly than they would tell you of a bad batch of bread
or a chicken stolen by the fox.”
Pamela was hardly listening. Her feet were on the gleaming rail of the
pierced brass fender; her eyes thoughtful on the winking coals.
“Do you consider one runs a risk in marrying?” she asked tentatively at
last.
Public-domain text, read in full here on John Shaqi.
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