That night--he saw Frank no more, for he had stayed to dine with Sir
Archibald Rhodes--that night Van Maeren could not sleep; the wildest
fancies kept him wide awake. Illusions and schemes whirled through his
fevered brain; strange voices buzzed in his ears, hissing like an angry
sea. He saw himself sitting with Eva in a cab, passing through the
gloomiest and foulest parts of London. Squalid figures stood in their
way, and came close to Eva. He laughed as he saw her dragged away by men
with brutal faces, and then come back to him, with her clothes torn,
sobbing because she had been insulted. A fearful headache hammered in
his brain, and he groaned with a painful effort to control the wild
extravagance of his fancy. He got up, rubbing his eyes, as if to drive
away the melodramatic vision, and wrapped his burning head in a wet,
cold towel. He involuntarily looked in the glass; and, in the subdued
glimmer of the nightlight, his face stared back at him as pale as death,
drawn and haggard, with hollow, sunken eyes, and a gaping mouth. His
heart beat violently, as if it were rising into his throat, and he
pressed it down with both hands. After drinking a glass of water he lay
down again, forcing himself to be calm. Subtler fancies now crowded his
mind, like fine threads caught athwart and across--webs mingled in a
maze like an inextricable tangle of lace; and his imagination worked out
the intricacies of weariful intrigues, as though he were a poet who,
during a night of lucid sleeplessness, constructs a drama, and, not
content with its plot, goes through it again and again, to master the
great conception in his mind before writing it out.
Now he saw the orgies of a past day repeating themselves below in the
sitting-room. He saw the skating-rink, and Frank and himself drinking
champagne, and laughing and singing. But suddenly the door opened, and
Sir Archibald came in with Eva on his arm. Sir Archibald cursed Frank
with tremendous words and vehement gestures, and Frank hung his head;
but Eva threw herself between them, with words of anguish and imploring
hands. And it was all the last scene of the fourth act of an opera. The
singing in his ears, and the dreadful throbbing in his aching head, were
like the thunder of a full orchestra, excited to the utmost by the beat
of an energetic conductor, and the loud, strident crash of brass
instruments.
Bertie moaned, and tossed from side to side, compelling himself to
picture less violent scenes. Now it was like a modern comedy. Eva, at
his suggestion, was suspiciously watching Annie, the maid and
housekeeper at White-Rose Cottage. Eva was jealous, and then a grand
catastrophe--Eva finding Annie in Frank's arms.
Public-domain text, read in full here on John Shaqi.
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