After that conversation with Eva, Bertie felt as though he were living in a more subtle atmosphere, wandering in a labyrinth full of mysterious ways of craft and cunning, in which he must walk very circumspectly if he did not wish to lose himself. He knew very well what he had been driving at; he wanted to instil into Eva suspicions of Frank's constancy. Did she not herself know her lover to be fickle, almost capricious? Had not his hints been well chosen? Had he not sown the seed of doubt? He did not know. He saw nothing to reassure him in the regular, monotonous routine of everyday life, in which subtle shades of manner so often escape even the keenest observer. Eva had, indeed, once asked him about that Something; but after that, in appearance at least, their intercourse had been on the old footing again. He saw no difference in Eva--none in Frank; so Eva could have said nothing to her lover and asked him no questions. Before that afternoon Bertie had known hesitancy, had felt some disgust at his own heartlessness, some horror of his own monstrous selfishness. But that talk with Eva had been the first step on a downward path, where it was now impossible to turn back. A singular lucidity of thought dawned in his brain, as though his brain was a crystal mirror, in which his ideas were reflected in a vivid light. Never yet had he felt himself so keenly alert, so clearly logical; never had he aimed so true at an object in view, with the precision of a needle. The clearness of his mind was so perfect that in a naïve perception of his own baseness--a lucid moment of self-knowledge which once flashed on him, to his surprise, for no more than a second--he wondered that he should not apply so much talent and ingenuity to a nobler purpose. "Why did you never become an artist?" he could hear Eva asking him. But he only smiled; the practical weariness of life rose up before him; his own indolence, his cat-like love of physical ease. No, no, he could not help himself; so it must be. The first step was taken. It was Fate! Then, that evening as they came out of the theatre, that woman who belonged to their past life, his own significant nod, and his words, "There goes Frank." Was not all this, too, a fatality? Did not Fate strew such trivial incidents as these in the path of those who burnt incense at her shrine and paid her due worship, to be utilised by them as benefits--infinitely small links, which they must themselves weld into the chain? Did not Fate give men the illusion of free will, and a semblance of truth to the lie which says that they by their own energy can coerce the course of circumstance? No more than a word, a nod--"There goes Frank!"--and then, for the rest, trust to the chance--Chance! What is chance?--that the smart damsel of the skating rink should overlook Eva--tiny, dainty Eva--lost in the crowd. Had the result been such as he had counted on? Had he guessed the purpose of Fate?