For the Major: A NoveletteWoolson, Constance Fenimore
General
For the Major: A Novelette
Woolson, Constance Fenimore
Psychological fiction; United States -- Social life and customs -- 19th century -- Fiction
Not long after this the same door opened, and a little boy came in; his
step was so light and his movements so careful that he made no sound. He
closed the door, and laid the book he had brought with him upon a table.
He was a small, frail child, with a serious face and large blue eyes;
his flaxen hair, thin and fine, hung in soft, scanty waves round his
little throat--a throat which seemed too small for his well-developed
head, yet quite large enough for his short, puny body. He was dressed in
a blue jacket, with an embroidered white collar reaching to the
shoulders, and ruffles of the same embroidery at the knee, where his
short trousers ended. A blue ribbon tied his collar, and his slender
little legs and feet were incased in long white stockings and low
slippers, such as are worn by little girls. His whole costume, indeed,
had an air of effeminacy; but he was such a delicate-looking little
fellow that it was not noticeable. From a woman's point of view, he was
prettily dressed.
He crossed the room, opened a closet door, and took from a shelf two
boxes, which he carried to the table, making a separate journey with
each. He arranged these systematically, the book in the centre, a box on
each side; then he pushed the table over the carpet towards the Major's
chair. The table was narrow and light, and made no sound. He moved
onward slowly, his hands, widely apart, grasping its top, and he paused
several times to peer round the corner of it so as to bring it up within
an inch of the Major's feet, yet not to touch them. This accomplished,
he surveyed the position gravely. Satisfied with it, he next brought up
a chair for himself, which, while not the ordinary high-chair of a
child, seemed yet to have been made especially for him on account of his
low stature. He drew this chair close to the table on the opposite side,
climbed into it, and then, when all was prepared, he spoke. "I am quite
ready now, papa, if you please." His slender little voice was clear and
even, like his mother's; his words followed each other with slow
precision.
The Major woke, or, if he had not been asleep, opened his eyes. "Ah,
little Scar," he said, "you here?" And he patted the child's hand
caressingly. Scar opened his book; then one of the boxes, which
contained white blocks with large red letters painted upon them. He read
aloud from the book a sentence, once, twice. Then he proceeded to make
it from memory with the blocks on the table, working slowly, and
choosing each letter with thoughtful deliberation.
"Good--blood--can--not--lie," he read aloud from his row of letters when
the sentence was completed. "I think that is right. Your turn, papa."
And then the Major, with almost equal slowness, formed, after Scar had
read it, the following adage: "A brave father makes a brave son."
"That's you and I, Scar."
Public-domain text, read in full here on John Shaqi.
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