On my return to Luxor I found in an antiquity shop a whole string of
them at 2_s._ each, the proprietor being open to a deal. They are made
of soft material, _gir_, a kind of native mortar, and will stand very
little rough usage.
Most of the porcelain objects are supposed to date from the eighteenth
dynasty, but up to the present I have not seen in any museum a genuine
antiquity similar to the small blue vase. The possibility is that the
Arabs may have one, which they are using as a pattern in the
manufacture, or this style might even be a creation of their own.
On the same Plate is a bottle (No. 1), with two handles, and two monkeys
sitting on each side of the neck, also made of porcelain; but it has a
thick glaze over it, and has been buried for some time in a heap of
manure taken from the courtyard of the house, which was fresh enough for
active chemical action to take place, and the effect of this is well
shown on the bottle.
Nos. 3, 7, and 8 are of the same period, and have a peculiarity common
to the previous one also—namely, they are all extremely light in weight,
and are made by the same maker.
No. 2 is a jar with a handle, made of wood and painted. It is partly
hollowed out, and the wood is new.
[Illustration: A sealed jar, made of wood, and painted to represent
stone; period, 20th dynasty. It was produced by the same maker as No. 2,
Plate X.]
The blue bowl (Plate X, No. 5) is very pretty. It was not made on a
wheel, but modelled first and then glazed. The material is a soft
brownish gir, or lime mixed with very fine sand. These bowls are very
fragile, and are held together by the glaze.
* * * * *
On Plate XI we have some examples of blue porcelain. Nos. 1 and 9
represent the Goddess Taurt, who was usually shown as a hippopotamus,
and was supposed to have been the wife of Set.
No. 2 is an unusual form of jar with rudimentary spout.
No. 3 is a small Anubis figure.
No. 4 represents a porcelain boat with a ram’s head on the bow.
No. 5 is a pectoral which was placed on the chest of the mummy, and
should have a scarab in the opening.
No. 6 is the girdle buckle of Isis, and was placed on the neck of the
mummy. It is not correctly shaped and should not be cut straight off
across the bottom.
No. 7 is a small papyrus cup with reeds shown upon it, but very roughly
done.
No. 8 is a ram-headed hawk bearing the sun disk; it is composed of soft
plaster painted over and very badly shaped.
The above figures would be known as forgeries from the softness of the
material used, and from the glaze being too glossy.
[Illustration: A Hawk’s Head. The lid of a canopic jar.]
Public-domain text, read in full here on John Shaqi.
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