We may conveniently refer here to one or two other ideas of Aristotle regarding the causes of form. He makes the profound remark that the possible range of form of an organ is limited to some extent by its existing differentiation. Thus he explains the absence of external (projecting) ears in birds and reptiles by the fact that their skin is hard and does not easily take on the form of an external ear (_De Partibus_, ii, 12). The fact of the inverse correlation is certain; the explanation is, though very vague, probably correct. In one passage of the _De Partibus_ Aristotle clearly enunciates the principle of the division of labour, afterwards emphasised by H. Milne-Edwards. In some insects, he says, the proboscis combines the functions of a tongue and a sting, in others the tongue and the sting are quite separate. "Now it is better," he goes on, "that one and the same instrument shall not be made to serve several dissimilar ends; but that there shall be one organ to serve as a weapon, which can then be very sharp, and a distinct one to serve as a tongue, which can then be of spongy texture and fit to absorb nutriment. Whenever, therefore, Nature is able to provide two separate instruments for two separate uses, without the one hampering the other, she does so, instead of acting like a coppersmith who for cheapness makes a spit and lampholder in one" (iv., 6, 683^a). (5) The first sentence of the _Historia Animalium_ formulates, with that simplicity and directness which is so characteristic of Aristotle, the distinction between homogeneous and heterogeneous parts, in the mass the distinction between tissues and organs. "Some parts of animals are simple, and these can be divided into like parts, as flesh into pieces of flesh; others are compound, and cannot be divided into like parts, as the hand cannot be divided into hands, nor the face into faces. All the compound parts also are made up of simple parts--the hand, for example, of flesh and sinew and bone" (Cresswell, _loc. cit_., p. I). In the _De Partibus Animalium_ he broadens the conception by adding another form of composition. "Now there are," he says, "three degrees of composition; and of these the first in order, as all will allow, is composition out of what some call the elements, such as earth, air, water, fire.... The second degree of composition is that by which the homogeneous parts of animals, such as bone, flesh, and the like, are constituted out of the primary substances. The third and last stage is the composition which forms the heterogeneous parts, such as face, hand, and the rest" (ii., 1, 646^a, trans. Ogle).