Fors Clavigera (Volume 1 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 1 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Now what the Chancellor of the Exchequer said the other day to
the Civil Engineers (see Saturday Review, April 29th,) is entirely
true; namely, that in any of our colliery or cartridge-manufactory
explosions, we send as many men (or women) into Elysium as were likely
to get there after the battle of Marathon; [15] and that is, indeed,
like the rest of our economic arrangements, very fine, and pleasant
to think upon; neither may it be doubted, on modern principles of
religion and equality, that every collier and cartridge-filler is as
fit for Elysium as any heathen could be; and that in all these respects
the battle of Marathon is no more deserving of English notice. But
what I want you to reflect upon, as of moment to you, is whether
you really care for the hyacinthine Elysium you are going to? and
if you do, why you should not live a little while in Elysium here,
instead of waiting so patiently, and working so hardly, to be blown
or flattened into it? The hyacinths will grow well enough on the top
of the ground, if you will leave off digging away the bottom of it;
and another plant of the asphodel species, which the Greeks thought
of more importance even than hyacinths--onions; though, indeed, one
dead hero is represented by Lucian as finding something to complain of
even in Elysium, because he got nothing but onions there to eat. But
it is simply, I assure you, because the French did not understand that
hyacinths and onions were the principal things to fill their existing
Elysian Fields, or Champs Elysées, with, but chose to have carriages,
and roundabouts, instead, that a tax on matches in those fields would
be, nowadays, so much more productive than one on Asphodel; and I
see that only a day or two since even a poor Punch's show could not
play out its play in Elysian peace, but had its corner knocked off
by a shell from Mont Valérien, and the dog Toby "seriously alarmed."
One more instance of the things you don't care for, that are vital
to you, may be better told now than hereafter.
In my plan for our practical work, in last number, you remember I
said, we must try and make some pottery, and have some music, and
that we would have no steam engines. On this I received a singular
letter from a resident at Birmingham, advising me that the colours
for my pottery must be ground by steam, and my musical instruments
constructed by it. To this, as my correspondent was an educated person,
and knew Latin, I ventured to answer that porcelain had been painted
before the time of James Watt; that even music was not entirely a
recent invention; that my poor company, I feared, would deserve no
better colours than Apelles and Titian made shift with, or even the
Chinese; and that I could not find any notice of musical instruments
in the time of David, for instance, having been made by steam.
Public-domain text, read in full here on John Shaqi.
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