Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 2 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
The place fittest for such purpose is a limestone crag about five
miles nearer the hills, rising out of the bed of a torrent, which,
as usual, I found a bed only; a little washing of the sand into moist
masses here and there being the only evidence of the past rain.
Above it, where the rocks were dry, we sat down, to draw, or to look;
but I was too tired to draw, and cannot any more look at a sunset with
comfort, because, now that I am fifty-three, the sun seems to me to
set so horribly fast; when one was young, it took its time; but now
it always drops like a shell, and before I can get any image of it,
is gone, and another day with it.
So, instead of looking at the sun, I got thinking about the dry bed
of the stream, just beneath. Ugly enough it was; cut by occasional
inundation irregularly out of the thick masses of old Alpine shingle,
nearly every stone of it the size of an ostrich-egg. And, by the
way, the average size of shingle in given localities is worth your
thinking about, geologically. All through this Veronese plain the
stones are mostly of ostrich-egg size and shape; some forty times as
big as the pebbles of English shingle (say of the Addington Hills),
and not flat nor round; but resolvedly oval. Now there is no reason,
that I know of, why large mountains should break into large pebbles,
and small ones into small; and indeed the consistent reduction of
our own masses of flint, as big as a cauliflower, leaves and all,
into the flattish rounded pebble, seldom wider across than half
a crown, of the banks of Addington, is just as strange a piece of
systematic reduction as the grinding of Monte Baldo into sculpture
of ostrich-eggs:--neither of the processes, observe, depending upon
questions of time, but of method of fracture.
The evening drew on, and two peasants who had been cutting hay on a
terrace of meadow among the rocks, left their work, and came to look
at the sketchers, and make out, if they could, what we wanted on their
ground. They did not speak to us, but bright light came into the face
of one, evidently the master, on being spoken to, and excuse asked of
him for our presence among his rocks, by which he courteously expressed
himself as pleased, no less than (though this he did not say) puzzled.
Public-domain text, read in full here on John Shaqi.
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