Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 3 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
As a piece of mere die-cutting, that St. George is one of the best
bits of work we have on our money. [8] But as a design,--how brightly
comic it is! The horse looking abstractedly into the air, instead of
where precisely it would have looked, at the beast between its legs:
St. George, with nothing but his helmet on (being the last piece
of armour he is likely to want), putting his naked feet, at least
his feet showing their toes through the buskins, well forward, that
the dragon may with the greatest convenience get a bite at them; and
about to deliver a mortal blow at him with a sword which cannot reach
him by a couple of yards--or, I think, in George III.'s piece--with
a field-marshal's truncheon.
Victor Carpaccio had other opinions on the likelihood of matters
in this battle. His St. George exactly reverses the practice of
ours. He rides armed, from shoulder to heel, in proof--but without his
helmet. For the real difficulty in dragon-fights, as you shall hear,
is not so much to kill your dragon, as to see him; at least to see him
in time, it being too probable that he will see you first. Carpaccio's
St. George will have his eyes about him, and his head free to turn
this way or that. He meets his dragon at the gallop--catches him
in the mouth with his lance--carries him backwards off his fore
feet, with the spear point out at the back of his neck. But Victor
Carpaccio had seen knights tilting; and poor Pistrucci, who designed
this St. George for us, though he would have been a good sculptor in
luckier circumstances, had only seen them presenting addresses as my
Lord Mayor, and killing turtle instead of dragon.
And, to our increasing sorrow, modern literature is as unsatisfactory
in its picturing of St. George as modern art. Here is Mr. Emerson's
bas-relief of the Saint, given in his 'English Traits,' a book
occasionally wise, and always observant as to matters actually
proceeding in the world; but thus, in its ninth chapter, calumnious
of our Georgic faith:
"George of Cappadocia, born at Epiphania in Cilicia, was a low
parasite, who got a lucrative contract to supply the army with
bacon. A rogue and informer; he got rich, and was forced to run
from justice. He saved his money, embraced Arianism, collected
a library, and got promoted by a faction to the episcopal throne
of Alexandria. When Julian came, A.D. 361, George was dragged to
prison. The prison was burst open by the mob, and George was lynched,
as he deserved. And this precious knave became, in good time, Saint
George of England--patron of chivalry, emblem of victory and civility,
and the pride of the best blood of the modern world!"
Public-domain text, read in full here on John Shaqi.
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