Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 5 of 8): Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
Somehow, none of these seem to have interested little Agnes, or been of
the least good to her. Her pound and a half of the best of the modern
pious and picturesque is (being of course originally boardless) now a
crumpled and variously doubled-up heap, brought down in a handful, or
lapful, rather; most of the former insides of the pamphlets being now
the outsides; and every form of dog’s ear, puppy’s ear, cat’s ear,
kitten’s ear, rat’s ear, and mouse’s ear, developed by the contortions
of weary fingers at the corners of their didactic and evangelically
sibylline leaves. I ask if I may borrow one to take home and read.
Agnes is delighted; but undergoes no such pang of care as a like
request would have inflicted on my boyish mind, and needed generous
stifling of;—nay, had I asked to borrow the whole heap, I am not sure
whether Agnes’s first tacit sensation would not have been one of
deliverance.
Being very fond of pretty little girls, (not, by any means, excluding
pretty—tall ones,) I choose, for my own reading, a pamphlet [5] which
has a picture of a beautiful little girl with long hair, lying very ill
in bed, with her mother putting up her forefinger at her brother, who
is crying, with a large tear on the side of his nose; and a legend
beneath: ‘Harry told his mother the whole story.’ The pamphlet has been
doubled up by Agnes right through the middle of the beautiful little
girl’s face, and no less remorselessly through the very middle of the
body of the ‘Duckling Astray,’ charmingly drawn by Mr. Harrison Weir on
the opposite leaf. But my little Agnes knows so much more about real
ducklings than the artist does, that her severity in this case is not
to be wondered at.
I carry my Children’s Prize penny’s-worth home to Brantwood, full of
curiosity to know “the whole story.” I find that this religious work is
edited by a Master of Arts—no less—and that two more woodcuts of the
most finished order are given to Harry’s story,—representing Harry and
the pretty little girl, (I suppose so, at least; but, alas, now with
her back turned to me,—the cuts came cheaper so,) dressed in the
extreme of fashion, down to her boots,—first running with Harry, in
snow, after a carriage, and then reclining against Harry’s shoulder in
a snowstorm.
I arrange my candles for small print, and proceed to read this richly
illustrated story.
Harry and his sister were at school together, it appears, at Salisbury;
and their father’s carriage was sent, in a snowy day, to bring them
home for the holidays. They are to be at home by five; and their mother
has invited a children’s party at seven. Harry is enjoined by his
father, in the letter which conveys this information, to remain inside
the carriage, and not to go on the box.
Public-domain text, read in full here on John Shaqi.
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