Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great BritainRuskin, John
General
Fors Clavigera (Volume 6 of 8): $b Letters to the workmen and labourers of Great Britain
Ruskin, John
Aesthetics; Conduct of life; Great Britain -- Social conditions -- 19th century; Social problems; Working class -- Great Britain
And first,—here’s the woodcut, long promised, of a rose-leaf cut by the
leaf-cutting bee, true in size and shape; a sound contribution to
Natural History, so far as it reaches. Much I had to say of it, but am
not in humour to-day. Happily, the letter from a valued Companion, Art.
III. in Notes, may well take place of any talk of mine. [7]
Secondly, I promised a first lesson in writing, of which, therefore,
(that we may see what is our present knowledge on the subject, and what
farther we may safely ask Theuth [8] to teach,) I have had engraved two
examples, one of writing in the most authoritative manner, used for
modern service, and the other of writing by a practised scribe of the
fourteenth century. To make the comparison fair, we must take the
religious, and therefore most careful, scripture of both dates; so, for
example of modern sacred scripture, I take the casting up of a column
in my banker’s book; and for the ancient, a letter A, with a few
following words, out of a Greek Psalter, which is of admirable and
characteristic, but not (by any honest copyist,) inimitable execution.
Here then, first, is modern writing; in facsimile of which I have
thought it worth while to employ Mr. Burgess’s utmost skill; for it
seems to me a fact of profound significance that all the expedients we
have invented for saving time, by steam and machinery, (not to speak of
the art of printing,) leave us yet so hurried, and flurried, that we
cannot produce any lovelier calligraphy than this, even to certify the
gratifying existence of a balance of eleven hundred and forty-two
pounds, thirteen shillings, and twopence, while the old writer, though
required, eventually, to produce the utmost possible number of entire
psalters with his own hand, yet has time for the execution of every
initial letter of them in the manner here exhibited.
Respecting which, you are to observe that this is pure writing; not
painting or drawing, but the expression of form by lines such as a pen
can easily produce, (or a brush used with the point, in the manner of a
pen;) and with a certain habitual currency and fluent habit of finger,
yet not dashing or flourishing, but with perfect command of direction
in advance, and moment of pause, at any point.
αγαπήσω σε κύριη ἠ ισχύς μου
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