Stephen was sitting in the upstairs room scratching his head over his
accounts, whilst his old mother sat dozing, with her knitting fallen
on to her lap by the fire. The window was open, and all the sound and
smells of the farm came into the room. The room was an old one with
brown oaken rafters and whitewashed walls, a long oaken table down
the middle of it, and a view over the farmyard and the sweeping fields
beyond it, lost at last, in the distant purple hills. Peter was given a
chair opposite the old lady, who was nearly eighty, and wore a beautiful
white cap, and she woke up and talked incessantly, because she was very
garrulous by nature and didn't care in the least to whom she talked.
Peter politely listened to what she had to say, although he understood
little of it, and his eyes were watching for the moment when the
accounts should be finished and Stephen free.
“Ay,” said the old lady, “and it were good Mr. Tenement were the rector
in those days, I remember, and he gave us a roaring discourse many's the
Sunday. Church is not what it was, with all this singing and what not
and the clothes the young women wear--I remember...”
But Stephen had closed his books with a bang and given his figures up
in despair. “I don't know how it is, boy,” he said, “but they're at
something different every time yer look at 'em--they're one too many for
me, that's certain.”
One of Stephen's eyes was still nearly closed, and both eyes were black
and blue, and his right cheek had a bad bruise on it, but Peter thought
it was wiser not to allude to the encounter. The farm was exceedingly
interesting, and then there was dinner, and it was not until the meal
had been cleared away that Peter remembered that he wanted to ask some
questions, and then Stephen interrupted him with:
“Like to go to Zachary Tan's with me this afternoon, boy? I've got to be
lookin' in.”
Peter jumped to his feet with excitement.
“Oh! Steve! This afternoon--this _very_ afternoon?”
Public-domain text, read in full here on John Shaqi.
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