It was the most exciting thing possible. Zachary Tan's was the curiosity
shop of Treliss and famous even twenty years ago throughout the south
country. It is still there, I believe, although Zachary himself is dead
and with him has departed most of the atmosphere of the place, and it is
now smart and prosperous, although in those days it was dark and dingy
enough. No one knew whence Zachary had come, and he was one of the
mysteries of a place that deals, even now, in mysteries. He had arrived
as a young man with a basket over his back thirty years before Peter saw
the light, when Treliss was a little fishing village and Mr. Bannister,
Junior, had not cast his enterprising eye over The Man at Arms. Zachary
had beads and silks, and little silver images in his basket, and he had
stayed there in a little room over the shop, and things had prospered
with him. The inhabitants of the place had never trusted him, but they
were always interested. “Thiccy Zachary be a poor trade,” they had
said at first, “poor trade” signifying anything or anybody not entirely
approved of--but they had hung about his shop, had bought his silks and
little ornaments, and had talked to him sometimes with eyes open and
mouth agape at the things that he could tell them. And then people had
come from Truro and Pendragon and even Bodmin and, finally, Exeter,
because they had heard of the things that he had for sale. No one knew
where he found his treasures, for he was always in his shop, smiling
and amiable, but sometimes gentlemen would come from London, and he had
strange friends like Mr. Andreas Morelli, concerning whose life a book
has already been written. Zachary Tan's shop became at last the word in
Treliss for all that was strange and unusual--the strongest link with
London and other curious places. He had a little back room behind his
shop, where he would welcome his friends, give them something to drink
and talk about the world. He was always so friendly that people thought
that he must wish for things in return, but he never asked for anything,
nor did he speak about himself at all. As for his portrait, he had a
pale face, a big beak nose, very black hair that hung over his forehead
and was always untidy, a blue velvet jacket, black trousers, green
slippers, and small feet.
Public-domain text, read in full here on John Shaqi.
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