Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
THEOPHRASTUS says that the papyrus books of the ancients
were no other than rolls prepared in the following
manner: Two leaves of the rush were plastered together,
usually with the mud of the Nile, in such a
fashion that the fibres of one leaf should cross the fibres
of the other at right angles; the ends of each being
then cut off, a square leaf was obtained, equally capable
of resisting fracture when pulled or taken hold of
in any direction. In this form the papyri were exported
in great quantities. In order to form these
single leaves into the "scapi," or rolls of the ancients,
about twenty were glued together end to end. The
writing was then executed in parallel columns a few
inches wide, running transversely to the length of the
scroll. To each end of the scrolls were attached round
staves similar to those we use for maps. To these
staves, strings, known as "umbilici," were attached,
to the ends of which bullae or weights were fixed.
The books when rolled up, were bound up with these
umbilici, and were generally kept in cylindrical boxes
or capsae, a term from which the Mediaeval "capsula,"
or book-cover was derived. "The mode in which the
students held the rolls in order to read from them is
well shown in a painting in the house of a surgeon at
Pompeii. One of the staves, with the papyrus rolled
round it, was held in each hand, at a distance apart
equal to the width of one or more of the transverse
columns of writing. As soon as the eye was carried
down to the bottom of a column, one hand rolled up
and the other unrolled sufficient of the papyrus to
bring a fresh column opposite to the reader's eye, and
so on until the whole was wound round one of the
staves, when, of course, the student had arrived at the
end of his book."
Eumenes, king of Pergamus, being unable to procure
the Egyptian papyrus, through the jealousy of
one of the Ptolemies, who occupied himself in forming
a rival library to the one which subsequently
became so celebrated at Pergamus, introduced the
use of Parchment properly "dressed" for taking
ink and pigments and hence the derivation of the
word "pergamena" as applied to parchment or vellum,
the former substance being the prepared skin
of sheep, and the latter of calves.
The sheets of parchment were joined end to end, as
the sheets of papyrus had been, and when written
upon, on one side only, and in narrow columns across
the breadth of the scroll, were rolled up around staves
and bound with strings, to which seals of wax were
occasionally attached, in place of the more common
leaden bullae.
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