Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The custom of dividing wax, ivory, wood and metal
MSS. into pages and in this way into book form is said
by Suetonius to have been introduced by Julius Caesar,
whose letters to the Senate were so made up, and
after whose time the practice became usual for all
documents either addressed to, or issuing from that
body, or to or from the Emperors. As that form subsequently
crept into general use, the books were known
as "codices;" and hence the ordinary term as applied
to manuscript volumes.
All classes of "books," the reeds for writing in
them, the inkstands, and the "capsae" or "scrinia,"
the boxes in which the "scapi" or rolls were kept,
are minutely portrayed in ancient wall-paintings and
ivory diptychs (double tablets), and which may belong
to a period near the beginning of the Christian era.
Pliny and Dioscorides have given the formulas for
the writing inks used by the Greek and Roman scribes
immediately before and during their time. Pliny declares
that the ink of the bookmakers was made of
soot, charcoal and gum, although he does not state
what fluid was employed to commingle them. He does,
however, mention to an occasional use of some acid
(vinegar) to give the ink a binding property on the
papyrus.
Dioscorides, however, specifies the proportions of
this "soot" ink. Another formula alluded to by the
same author calls for a half ounce each of copperas
(blue) and ox-glue, with half pound of smoke black
made from burned resin. He adds, "is a good application
in cases of gangrene and is useful in scalds, if a
little thickened and employed as a salve." De Vinne
speaks of this as a "crude" receipt which will enable
one to form a correct opinion of the quality of
scientific knowledge then applied to medicine and the
mechanical arts; also that these mixtures which are
more like shoe blacking than writing fluid were used
with immaterial modifications by the scribes of the
dark ages.
The old Greeks and Romans had no substitute for
the papyrus, which was so brittle that it could not be
folded or creased. It could not be bound up in books,
nor could it be rolled up unsupported. It was secure
only when it had been wound around a wooden or
metal roller.
Public-domain text, read in full here on John Shaqi.
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