Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
After the wholesale destruction of the libraries of
ink-written MSS., the black inks began to fall into disuse;
their value in respect to quality gradually deteriorated,
caused by the displacement of gummy
vehicles, and a consequent absence of any chance of
union between the parchment or papyrus and the dry
black particles, which could be "blown" or washed
off. To employ any other kind of ink except one of
natural origin like the juice of berries which soon
disappeared, was forbidden by prevailing religious
customs. Such conditions naturally merged into
others, in the shape of "ink" substitutes for writing;
the stylus, with its accompanying sheets or tablets
of ivory, wood, metal and wax came into popular
vogue and so continued for many centuries, even after
the employment of ink for writing purposes had been
resumed.
Ovid, in his story of Caunus and Byblis, illustrates
the use of the tables (tablets), and he lived at the time
of the birth of Christ, thus translated:
"Then fits her trembling hands to Write:
One holds the Wax, the Style the other guides,
Begins, doubts, writes, and at the Table chides;
Notes, razes, changes oft, dislikes, approves,
Throws all aside, resumes what she removes.
* * * * * * * *
"The Wax thus filled with her successless wit,
She Verses in the utmost margin writ."
He also makes reference to inks, in the passage
taken from his first elegy, "Ad Librum:"
"Nec te purpureo velent vaccinia succo;
Non est conveniens luctibus ille color.
Nec titulus minio, nec cedro charta notetur.
Candida nec nigra cornua fronte geras."
which Davids translates as follows:
"TO HIS BOOK.
"Nor shall huckleberries stain (literally veil) thee with purple
juice:
That color is not becoming to lamentations.
Nor shall title (or head-letter) be marked with vermillion, or
paper with cedar,
Thou shalt carry neither white nor black horns on thy forehead
(or front, or frontispiece)."
The traditions handed down as of this era relating
to the efforts to find some substitute for "Indian"
ink which would not only "bind" to parchment and
vellum but also would be satisfactory to the priests,
are more or less confirmed by the younger Pliny, and
makes it safe to assume that several were invented
and employed in writing, though possessing but little
lasting qualities. Their use and natural disappearance
is perhaps the real cause of the fact that there are no
original MSS. extant dating as of or belonging to the
time immediately preceding or following the birth of
Christ, or indeed until long after his death.
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