Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
In the more ancient times, however, when MSS. books
(rolls) were not quite so plentiful there was seemingly
no difficulty in obtaining large sums for them.
Aristotle, died B. C. 322, paid for a few books of
Leusippus, the philosopher, three Attick talents, which
is about $3,000. Ptolemy Philadelphus is said to have
given the Athenians fifteen talents, an exemption from
tribute and a large supply of provisions for the MSS.
of aeschylus, Sophocles and Euripides written by
themselves.
Arbuthnot, discussing this subject, remarks that Cicero's
head, "which should justly come into the account
of Eloquence brought twenty-five Myriads of
Drachms, which is the equivalent of $40,000. Also,
"the prices of the magical books mentioned to be
burnt in the Acts of the Apostles is five. Myriads of
Pieces of Silver or Drachms."
Picolimini relates that the equivalent of eighty
golden crowns was demanded for a small part of the
works of Plutarch.
If we are to believe any of the accounts, the environment
of the art of handwriting and handwriting
materials at the beginning of the fifth century had
contracted within a small compass, due principally to
the general ignorance of the times.
As practiced it was pretty much under the control
of the different religious denominations and the information
obtainable about inks from these sources
is but fragmentary. What has come down to us of
this particular era is mostly found on the old written
Hebrew relics, showing that they at least had made
no innovations in respect to the use of their ritualistic
deyo.
The invention of the quill pen in the sixth century
permitted a degree of latitude in writing never before
known, the inks were made thinner and necessarily
were less durable in character. Greater attention was
given to the study and practice of medicine and
alchemy which were limited to the walls of the
cloister and secret places. The monk physicians endeavored
by oral instructions and later by written
ones to communicate their ink-making methods not
only of the black and colored, but of secret or sympathetic
inks, to their younger brethren, that they might
thus be perpetuated. All the traditional and practical
knowledge they possessed was condensed into manuscript
forms; additions from other hands which included
numerous chemical receipts for dyeing caused
them to multiply; so that as occasion required from
time to time, they were bound up together booklike
and then circulated among favored secular individuals,
under the name of "Secreta."
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