Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The more remote of such treatises which have come
down to us seem to indicate the trend of the researches
respecting what must have been in those times
unsatisfactory inks. Scattered through them appear a
variety of formulas which specify pyrites (a combination
of sulphur and metal), metals, stones and other
minerals, soot, (blue) vitriol, calxes (lime or chalk),
dye-woods, berries, plants, and animal colors, some of
which if made into ink could only have been used
with disastrous results, when permanency is considered.
The black ink formulas of the eighth century are
but few, and show marked improvement in respect to
the constituents they call for, indicating that many
of those of earlier times had been tried and found
wanting. One in particular is worthy of notice as it
names (blue) vitriol, yeast, the lees (dregs) of wine
and the rind of the pomegranate apple, which if
commingled together would give results not altogether
unlike the characteristic phenomena of "gall" ink.
Confirmation of the employment of such an ink on a
document of the reign of Charlemigne in the beginning
of the ninth century on yellow-brown Esparto
(a Spanish rush) paper, is still preserved. Specimens
of "pomegranate" ink, to which lampblack and
other pigments had been added of varying degrees of
blackness, on MSS., but lessening in number as late as
the fourteenth century, are still extant in the British
Museum and other public libraries.
CHAPTER VI.
INK OF THE WEST.
REMARKS OF ARCH-DEACON CARLISLE--WHEN READING
AND WRITING CEASED TO BE MYSTERIES--ORIGIN
OF THE WORDS CLERK AND SIGN--SCARCITY OF MANUSCRIPTS
--FOUNDING OF IRISH SCHOOLS OF LEARNING
IN THE SEVENTH CENTURY--MONKS NOT PERMITTED
TO USE ARTIFICIAL LIGHT IN PREPARING
MSS.--OBSERVATIONS OF MADAN ABOUT THE HISTORY
OF WRITING DURING THE DARK AGES--INK-
WRITTEN MSS. TREASURES.
THE ancient history of the art of writing in more
northern sections of the Western world, William
Nicolson, Arch-Deacon of Carlisle, author of "The
English Historical Library," London, 1696, tells very
quaintly:
Public-domain text, read in full here on John Shaqi.
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